Yara’s Near-Life Experience – 9 October 2019, a poem


Come, take the Cash, she whispered
a quick breath escaped as the spirit itself,
Spilled out between the bars of the Liquor Shelf;
The day outside the formaldehyde stench of
the halogen aisles she forced a smile,
As the hapless ones who do
Live on filtered brilliance, light
Is not gifted them direct,
But, as the sun the light upon
the alabaster shines,
To stay inside while there is time,
To hold onto those moments where
Time and space are knotted there
And music attends the scene, like a dream,
A carousel of kaleidoscopes,
“Sweet girl, sweet dreams.”

She never took her meds, not Yarah,
And deja vu is a stereotype
The floor rose up to embrace her as a lover does
As a pool that is too cold,
When one first jumps in.
After a time a change comes by
And the two states exchange;
Where now it’s too hot to get out
To face the cold of the world without
The pool was a seizure-room
She went to
When she collapses and knots up,
as warm as the womb.

She came to herself and looked down,
Seeing there,
A sprawling mess of curly hair,
She thought she was dead for a moment, and there,
By her body she could see,
A reflection on a moving screen;
So the floating ghost that hovered round
Could watch the figures while she was out.

But she heard it, yes, there – did you –?
The silence calls, just silence, shh —
It’s overwhelming, a voice of Gold,
Complete, total, the screen flickered
and she screamed.

Oh silence, judge us not!
The beast that had to kill to Live!
Pardon, my Lord;
The thief who stowed away and Crossed
The Shimmering Curtain – ah, a scent of moss!
Is it not for him whose thorny crown,
Who paid the loan the forgotten Earthling, he
East of Eden kicking leaves;
Cursing the Wind, Cursing his God,
Be Fruitful, bring in the wine!
We’ll toast to the Justice of Job an’
In thyme, may we make just,
Those in the pitch black shadow that
is cast, Time has a shadow,
This Rust,
Is the future’s whisper through its mirror
That it has its eye on us.

A time will come when the sun will freeze
And dawn will hang suspended, trembling
An autumn leaf caught in a breeze
Lifted by a breathe, Breathe, now,
Sing! For the silent Lord!
For the Two-Faced God who Botched the Job,
At least Satan, hate to say it, had
the decency to stay His hand.

Oh, the Devil is on Tap, for sure;
But God would make a mother fucker wait,
Until they had too long stood before the gate;
Burning their vigils to their devils
Shame on you, all due respect,
You vicious pervert, and she wretched;
Sticky hands went towards her palms
Lifting her back into her,
And floating, she just watched;
The flickering screen turned black and green
And the door opened with an electric breeze

“Breathe, sweet child,
Mercy me…”
Yarah did not know, though she always thought,
There was no echo in the dark,
No hand to grab you when the air
Was all between you and the snare.
And thinking she would die she let out such a cry:

To be accused of eating Fruit,
Diagnosed with sin because of a rib
Magically made into Eve and then!
Since she couldn’t trust her gut
That a snake was not something to trust –
We all must die and burn and flail
In empty pits of freezing hail,
The straggler sat in a dim lit room,
A gambler with red red eyes shot and gloom
Hung o’er the Waiting Room.
The Gambler rolled again, and lo,
He raked in the air by the armfull there,
Cursing the air he had to breathe.
The straggler in the room, in lust

Voices, mother, is that you?
Mercy, merci beau coup,
Loose the strings, release the flies,
The spider beside shouts “Mas shim’kha?”
And she hears drill through her ears
The thump of a hammer made of glass,
Thumping against a wall and cast
A painting – oh, of me, ah, alas.
The floating ghost hung back, and sighed,
Was she forever trapped,
Had she really died?
My little lemon, get up, come on.
Take the canvas and expand
Use that silk, be the spider.
Hypnotized by electric light
Automatic as the lilies and the rose,
nor the crows that scared van Gogh!
Oh Lord!
The light looked back, a brilliance shared,
The moon was a little stepping stare,
A taper light no more, it could,
Make peace with its dimness as it should.

She heard her mother speak, or was it –
No –
“Don’t fret, don’t weep, it’s within reach
The air we breathe is air we keep.
When you fall just reach, and there,
Where fingertips grasp at the air
The silence catches and reflects
The empty space – it had reached back,
From a floating mote lost amid a puff of smoke
Yarah drifted into senses and in a sense awoke.

Suicide, the taking of what does not belong to oneself:


Why I Decided to Just Fucking Die


“Chemical imbalance” and Serotonin Syndrome

Taking certain medications, inadequate treatments for manic depression such as SSIDS (like Paxil, Zoloft, anything my editor will point out she can name) can make physical joy – without aide – that feeling of ‘not pain’ impossible. Simply, one cannot be pleasant, happy, have energy, only an intense and overwhelming and unending compulsions. I spend a weekend working on translating Russian tabloid magazines that gossip – the idiot’s rhapsody – about political matters whenever some hack journal/online thoughtless think-piece peddler comments about whoever is currently taking over the world and why we should kill the dragon. It’s whore work. It makes me feel sticky all over like the universe is stuck to me and won’t let go and it has my skin AHH AHAHAHAHA it’s not easy to deal with it. What are your options if you don’t want to murder yourself to stop – what? Compulsion towards wanting to write books, which I may get as far as 50-100k words into, before I’m FUCKING POOR I CAN’T EAT SO HERE’S A JOURNALIST IN RUSSIA WHO THINKS HE KNOWS SOME SHIT THAT WENT DOWN AT THE KREMLIM BETWEEN WALUGI AND you see? Click here for Top 5 Reasons Why you Shouldn’t Commit Suicide.


Your life does not belong to you.
Did you pay for it?
Is the air not fucking free?
Look around and think. Listen to the silence, and yet? What’s that telling you? Click off now or you’ll regret this!
I’ve sinned, too; regret, regrets, the terrible things we do, to our lives and the lives of others. The wrongs I’ve done to others – slight lies, fabrications of any sort, stealing, fire setting, cat robbery, notebook theft, anything I do, it sits on me like ever-coagulating concrete that wraps and squeezes forever tighter but somehow doesn’t solidy or break. The compulsion must be to atone; I’m sorry I wanted to look as though I am better than I am; the cat was outside and you weren’t treating her right anyway; I’m a klepto impulsively and autistic; high functioning just means your condition leaves a footprint, a deep stinking pit of stink and shit. I’m sorry, I’m not as good as I would have anyone believe. But I am trying to be better than the person I am to atone for the person I was, through action and purpose and thought and action for my life does not belong to me.

3 When You’re Thrown Away and Can’t Understand Anything

I was adopted by two kind Southerners; a hardworking spinster who raised 5 kids – and adopted two more, my Brother Kyle and myself, and worked 6 days a week 12 hours a day and NEVER FUCKING RESTED A SECOND. My adoptive father was always ill, but he gave me everything when I got a home; I met another man who would have adopted me – who turned out to be married to a relative – and he kept in touch with me, encouraging me to write him letters. I sent him copies of Dr. Seuss, telling this man that I FUCKING WROTE GREEN EGGS AND HAM. Y [shame]

But he said they were great, keep it up young sir. And I did, and I said look at all these words I know; and I’d list everything I could make sense of, and he would encourage it greatly. He told my father, who bought a series of books – a poor man’s encyclopedia. This kind stranger, not related to me by any means, taught me how to convert my fear of silence into expression, and art. It showed me how to put together ideas and notions in ways I feel are sublime and beyond grasping, like the air that you grab when you’re falling and nothing’s there – but this is when nothing holds you. An inexpressibly beautiful and edifying sort of word mosaic. And I have never needed a penny since. I sold my first but when I was 19 and started selling essays to my friends who went to college as I went through uni; I did this full time. In my spare time I wrote and published 3 more novels, The Make Believe Ballroom, Dream of the Louse, Songs of Lalande, and then I found a site that you would let you make money from translation. What? How hard could that be?

Now I’m a whore and compulsive and suicidal become of that physical joy incapability earlier which becomes harder and harder to cope with without DRUGS. I’m sorry mama, I did my best;
Let the poor boy get some rest
get that boulder off his chest
Let him have his fucking death
Why does he want to die so bad?
Why is such a soft glass so sad
Can’t do what you love because the shit you love
Doesn’t sell enough because it’s poetry, enough!
No rhymes and silence please!
Get some work done on your book sir,
I’m trying!
Schizoprhenia in public?
Atonement is confession in the way you can best express it
And if I say goodbye this is how it’ll
the doorway through silence and moment of change
where the sea becomes land and the land reaches up
Grasping to be a mountain above
and the mountain itself reachers higher and yet
is only trying to be the sky itself.
And the sky stretches too into darkness to blue
Where smoke goes when it dissolves as rain tends to do.

1 When You Prepare for Death. (Suicide by strawberry)

I won’t do it… I cannot. You made a promise, you SHIT. And you’ve been trying to clown around, talking to yourself and shit.
Get back to the point.
Crazy, you see. “Take your pills, you’ll be better.” Walking but still dead is no way to live. You can access my finished novels in [link later] if you’d care and if I stop writing it’s not because I failed it’s because I was to week to keep the promise I made. If – i’m not, you shit don’t be melodramatic.
shame, that boy hears things, you know

Say what you will about the devil, he’s on time. God is that silence, that nothing that either embraces and takes or holds, as the air you grab when your dumb ass leans over to far and the point of no return destabilizes your internals. . I’m sorry I’ve done this to you. I did it for me, if it helps keep me breathing, then I hope you don’t feel like you’ve wasted your time reading. I confess that I’ve lied but oh Lord have I tried to make myself better before I died. But I can’t make it work with my work and exert the effort that I need in pain. The feeling can be best explained with something one might experience.

If you’re allergic to, say,
I grew up in a place where money goes a long way. For example, right now I live in a 3 bedroom house with a 28 ft x 24 ft bedroom, living room and fireplace, but everything is packed into one room, like a house in a cubby. A small, small world. But when you don’t need money, have to provide for a child, you have to stop doing drugs and get your shit together.

2 Trying not to Commit Suicide by Self Justification

I kept my son in good care, well-fed, writing books. Writing essays, working with friends, being fed by more talented friends with better credentials and kinder than I might not be in such a place; but the lesson of this kindness keeps me here. The people who bear, for the sake of what I say, the pain of my silence when I’m not hear to say anything more. I believe that people have a niche they can slide into, and outside of it the world does not fit them. It’s uncomfortable in skin that doesn’t fit you. But the air is free. And, I’d rather continue to reach, like the mountains do yearning ever to metamorphose into air, but I’ll remain, and let the waves erode me before I voluntarily let them knock me over.

Atonement means the metamorphosis of one, different person into another. A thief that is rehabilitated and gets into heaven at the finish line. I will never be such a sinner, nor sin in such ways again; not before my friends, for them – my garden, the world! – and God, you miserable silence, I’m not afraid of death. *Hits blunt.* Don’t fear silence, though; you can’t hear it when you’re dead. Embrace the air that’s there that grabs you back and takes you thought that hallway of metamorphosis… into nothing, through the glass walls of silence …
Check out my collections of poetry, Counterpane – years 21 – 29. And The Wheatfields East of Eden, my poems from age 5-21. You can get my short stories and novels and here all the shit’s on the same page if you give a fuck; and typos should remain in art like every one of a van Gogh smudge.

Also check out my story “Horton Hears a Who”.


Hospitalization and Recovery.

I’m fine and working on translations. Learning new language to help me facilitate more idiotic rhapsodies while I work on my upcoming book. If my editor will still have me.

Oh thank you all for coming and thank you for not leaving, he said to no one. Ah, I can always hear the silence speaking …

Improvising poetry, just for fun – 5 june 2019 – A Stranger’s Land


When the army’s came and took the North,
Yisrael fell first and things got worse;
Deported to Babel, in long caravans,
From the Hejaz to Iraq on scalding grains of sand;
The cream of the crop was taken and dropped
into a kingdom just to stop
A movement to replace their throne,
a king of their own who feared the Lord,
not some cretin with protection,
Under an empire’s wing, there’s plenty of room
for shade, for all,
to wither away with each custom, each Law,
until it is a story, then,
told b campfires now and then,
until the Exiled ones return;

As they set off in the night,
the caravan was lit up by the light
As God’s own house burned to the ground,
a book to praise the fires formed;
For if God is the Word and the Word was inscribed,
by fingers of fire on stone from the skies,
the Laws of Moses were inscribed.
When the stone cooled there emerged,
in the whirlwind unperturbed
proof a penatent voice is always heard,
if prophets less;
As people marched from Canaan on,
Nebudchenezzar from his throne,
Like Marduk’s rage to raze their homes.

A generation passed and some forgot,
the language of their home and thought,
it may have just been one of those tales,
an excuse for children for the pain life entails;
But haMashiokh King Koresh,
Anointed of the Lord, no less,
decreed that those who there remained
might return to their homes again.
And beneath the sky where stood
Solomon’s temple now, though bare,
as a mirage danced on the air –
it was as though a tiny hole had slipped into the world,
and looking through the eyes which saw
burnt into the land of all a new covenant and law.
The temple, yes, it would arise
from the ashes phoenix like
Vyohmer Elohim (so said the Lord)
And on he went, thus “yehi ohr”
And God said let there be light,
Vehi ohr, and the light returned –
Hallelujah, Adonai,
May your lost children learn,
To understand thy silence and not
seek out such words.

Where the plot had been marked out,
the measurements and workmen found;
They’d give their Lord a chariot
a merkebah with flames, a jet,
that he could leave his solemn home,
Escape the holiest place to Roam,
to hear his people sing their songs
by the rivers of Babylon.

Oh! How can we sing for our Lord
In a Stranger’s land?
Oh moon, ye lesser light,
How light you, sometimes are we
In the longest nights while wakeful we toss
And turn and dwell on home, just there,

The rose garden and the vineyards
Bloom in absentia
To remind,
The whole of what we left behind.
Oh moon, you lantern for the lost
Beacon, guiding light that drew Nomads across
The tip of Iffrikiya into Ethiopia; from Nubia to Egypt and Anatolia;
Yerushalem and and the remains of the wall;
That’s the secret, that’s the key;
To stand before the winds and cry, Not me!
If you want me dead world,
You’ll have to kill me;
Obliterate each hint and footprint that told of our of exile,
A group of people all lonely, together but nowhere, silent but buzzing
Busy are the bumblebees that have that work or die for the Queen disease
Though it’s a farce and much to brief,
As Arjuna stood between two massing foes
As some strung bows and others horns
The battle call the blood, fair Morn,
Remind me of Tomorrow and it’s gift,
Is a distorted etch sketch of brief events
The cat in the marketplace, mew, and off,
To those who sang in exile by the Rivers of Babylon

How do we worship the Lord our God without a temple, speak!
His Ark and covenant were plucked beneath the dear Lord’s feet;
And as his temple crashed in flames
He whirled about, a word, a name
A judge and jury, an unending flame,
The holy fire that we’ve seen in the deeds of Elohim
Suggest that more than anything that he,
Thrived on awe and pageantry;
And never seemed to show a care
Of the most righteous whose constant faith,
Was an act of piety and aped;
So we rubbed our hands as insects may have done,
To summon the fire that puts to the pire
The seal of justice for the Cryer.

So the deeds and stories passed,
Treated with gloves and handled like glass
Out of fear that the God who loves,
Would give us no choice and let us be wrong?
Doubt not that God holds all things,
As all are Potencies,
And each effect within the set of space and time
We have
The carptender God can set off and plod
For some long needed repair;
Water oh Lord the fields that are dry,
And give not sight to the blind, not one,
But cure blindless, please let it be.
Give the world the courage to reject the ease of war
Over the challenge of peace;
And kneel knot before thy God unless he’s earned his keep.

So we sing a song of our Lord,
In a foreign land by the stream;
For God doesn’t dwell amid incense or tell,
The alphabet to aunts;
He must have greatly underestimated a bit or all of his creation
When this being who is divine asked us to take on faith despite
The questions formed inside a mind
The Pastor tells me God designed;
But I’ll sing for my people, instead;
For they are not of flame, and yet
They are potencies of God, we must,
See the magic in their touch,
Serve our fellows and in doing so serve God;
That we can be as the Mantis,
Purest in piety;
Who mindless folds his hands to pray
Unaware of the listening being, above
Who breathes life into new worlds
And makes sparrows out of mud.

So shine on us, you borrowed light,
Give comfort to us in the night,
As we skip the rocks along
The reflective rivers of Babylon
Which in their squiggly waving lines
Was disturbed by a hand divine
And draw with skill and dignity
The Sacred City was the lesser
Of that potency;
And if I do not make it past
The bridge to Jannah and am cast
Into the molent seas,
To live as one who does not yield,
Who leaves his share for gleaming ‘ere
And pays the Sacred Tax;
The coin was cold inside the bowl and rattled hollow
And who knows –
Who can? With human reason dare we ask,
What goes beyond the door and room,
With God’s footstool and his broom,
Where there the fire in its lair,
Radiates a sense of life through vibrations into time
A metronome which keeps the track
Of planets as they circle black.

If all is lost and I must die,
I will die praising Adonai.
And if the story was nothing but
Tales of tragedy and the worst of luck,
But amid the cries of those who died
Is the prayer living on,
A shadow that keeps walking though
The interference in appearance suggested the strength of soul;
It takes a ray of light some great great wealth of time,
30,000 years a photon for one ray to arrive
At the surface and once there reaches the Earth 8 minutes later,
And the light is only stopped,
When it accentuates our form
The sunlight came all this way only to be ignored.

The Scarecrow Trials, final draft


The Scarecrow Trials

“I don’t trust those new scarecrows,” said Farmer Jones. His wife was already in bed. “Five has been acting up again.”
His wife pursed her lips together, ‘Tsk, tsk’ she said, turning the pages of a well worn book. “You can always use an old-fashioned scarecrow. Like we used to make, if those silly robots don’t work out.”
“Yeah, I s’pose,” said Farmer Jones. He was unbuttoning a red and brown long-sleeved shirt, plaid and worn with age. He sat on the edge of the bed, took off his glasses, and opened the plastic cap reading ‘S’ on his pill organizer. He washed down two tiny pink pills and a large blue one with a pull from a near-empty bottle of beer. His wife put her book away, turned off the lamp on her bedside table, and rolled over to face him, running her soft, well-aged hands along his back. He slid his boots off, sat them aside, then his socks and pants. He pulled the covers over him as he lay back. His wife got closer to him, putting her head on his chest, his arm around her, and she snuggled up closer when he turned off his lamp. He ran his fingers through her thinning hair, going gray.
“I just don’t trust ‘em,” he said. “I know I’m getting old, but I just don’t think science is the answer to everything.”
“That’s been the mantra for the obselete for generations,” said Mrs. Jones. “But. Don’t Rob use the same kind of Scarecrows you got?”
“Yeah, he’s got 2 like Five, but his is mostly protocol, just boring old farm work. But how you expect Five or one of those others to be scary? Can’t be scary if you don’t know what fear is, you ask me.”
“Go to bed, Tom,” said Mrs. Jones. “You can worry about those God-forsaken robots in the morning.”
He laughed.
“Fair enough,” he said. He kissed her on the forehead, “Love you, Wendy.”
“I love you too, Tom.”
“Good-night,” he said. “Hope it doesn’t rain.”
“Good-night, sweetie.”
He turned off his lamp.
As soon as the lamp in the bedroom went out there was a stirring and a fluttering all through the farm buildings. Word had spread among the service robots that Five, the Scarecrow on watch, planned to betrayed the cornfield to the crows when winter came; Eleven told the gathered workers:
“He has been seen!” said Eleven. “And this time we have proof.”
A smaller robot, wiry and thin, leaned forward and flattened out, then opened its mouth. A picture was broadcast on the wall.
The picture was a bit fuzzy, the first, but Eleven clicked his aluminum tongue and a slideshow of photographs ran, one after another, each more condemning than the last. The last one caused an uproar as it showed Five, plain as day, holding up his hand, and on the Scarecrow’s lips was a naïve smile, on his extended arm a crow.
“This is outrageous!”
“How can he do this to us?”
And the old timer, eldest among them and longest lived, said an accusation in his scratchy voice, warm like an old vinyl recording, but even, deep and monotone.
“He’s a traitor,” said he, then rose from his position in the back, where he gathered eggs in the day. “And the last time we had a traitor on the farm, Farmer Jones nearly lost his crops, all of ‘em. And you know what happened to all the other service droids?”
A feeble murmuring and chatter, nervously a young droid asked:
‘W-w-w-what, what happened to ‘em, Colonel?”
“Oh, I remember it like yesterday,” said the Colonel. “He brought in some fancy new harvest droids to pull the nets by the fig trees, and one of them, now nobody was ever certain, let in some worms. Before you know it, worms were everywhere – and not just on the fig trees either, nope, on the apples and the grapevines. And Farmer got so mad he didn’t bother asking who did or didn’t do this-or-that, nope. He pulled out their memory, erased it, and put the bodies through the trash compactors, burnt ‘em in the end, ground them into dust.”
From the back another elder, he’d arrived about the same time as the Colonel, spoke up:
“Hush now!” it was a male voice, a bit younger, but an adult. “Stop trying to scare these kids. Truth is nobody knows why Farmer Jones had those droids destroyed. He’s just trying to scale you.”
When all else is equal, the voice of reason is less than half of panic, and panic grows more quickly. And it was growing there. All it takes is a little water and its ill fruit blooms quickly.
“Well,” said the Colonel, “we don’t want anything like that to happen here, now do we, Thames?”
“Not, but—” and he was interrupted.
“I think we should go talk to Five,” said Four, a replacement model—keep in mind. “We’ll make sure he has our – best interests in mind.”
Farmer Jones caught his wife in her underthings, when he stormed into the house. It was just about time for lunch, but not quite, a jug of tea was boiling on the open stove, cornbread still hot and smoking on the table. He didn’t seem concerned with his food, or his constitutional glass of tea.
“Did you hear it storming last night?” he asked. He took off his hat and wiped his forehead, sitting down as Mrs. Jones brought his tea into the dining room.
“That cornbred is hot,” she said. “I’m makin’ sandwiches now, if you’ll give me just a minute.”
“I asked you a question!”
Shocked, Mrs. Jones turned around. She put her hand on her hip, a look that would brook no further disrespect. Mr. Jones was immediately shameful.
“Excuse me?”
“Did you hear it storming last night?”
“No?” she said. “Why? What happened?”
“Something’s wrong with Five,” he said. “Face is blank and he’s not responding. Shit, I’m gonna have to take him back, or get Rob to try and reprogram him or something.”
“What do you think happened to him?” she asked. “Imagine if we could have dealt with our other kids simply by reprogramming them.
She sat a plate of tomato sandwiches in front of him. He rolled up his sleeves, putting a napkin on his lap.
“Tom,” she said, she pulled out a chair on the other side of the table and sat down, “what happened to Five, do you think?”
“Hell, I don’t know. Maybe the crows got him.”
They shared a laugh. Farmer John finished his sandwich, wiped his hands and mouth, and stood up.
“Thank you, honey dew, my tangerine, my sweet, my fountain of youth…”
She pinched a wrinkle beneath his chin. “Not so sweet a fountain, perhaps?”
“Sweet enough,” John said. He leaned against her, forehead to forehead. He sighed.
She embraced him. “What are you going to do, John?”
“Well, I got Four, and he’s just like Five,” he said. “I’m going to try to get them motivated.”
“How do you s’pose to do that?”
“I’ll tell them, ‘We’re going to have tryouts,’ Ok? And, ‘The scariest one of you guys, you get the job. And the rest, you’re pulling figs.’ What do you think?”
Mrs. Jones laughed.
“How do you think they’re going to act scary if—”
“If they don’t know what fear is? Yes, I thought about that. And, well, I’m going to scare them.”


Most of Farmer Jone’s service droids were new. Four and Five were the latest, high-end service droids; they could shuck corn, weed the vegetable garden, and cut the grass just like the rest, like the Colonel and Thames, but had better facial recognition software and communication skills, adaptive and durable. He got the pair of them after his oldest boy, Rob, got one and taught it to be his butler. Washing dishes, taking his coat, saying Yes sir, No sir, Yes ma’am and No ma’am.
Farmer Jones liked that, so he got two just like Rob’s quiet, well-spoken manservant. But he never got along with ‘em, not with Five especially – they had trouble understanding his voice, but Farmer Jones was terrified; Five’s constant smile and electric voice, the programmed randomness of his flitting, plastic eyelids. It wasn’t the robot or the parts, that’s not what scared Farmer Jones. He wasn’t sure what it was, but he figured, Hell, if it can scare me, it can keep the crows away, and Five did a good job, while Four, with the same capabilities and enthusiasm to serve, lay unused in the barn, no formal duties, but he helped out when he could, especially helping the smaller, weaker droids. There were six, ranging from small and simple, performing simple tasks—like Andy and Ernest, two stocky, powerful lifters; they dragged the apple orchard and tilled the Earth, planting the seeds and gathering the fruit, but they were brutes, easily persuasive and feeble. Then there was Threewheel, a collection sorting bot, very mathematically inclined, always counting, the number of eggs, gallons of milk, the dead eggs and the whites, both tasks falling to the Colonel, oldest but not the smartest; that was Thames. The gardener and teacher – and there were two other small ones, adaptive learners as well. That Thames was tasked to teach, left him alone while the others were out during the day, except the Colonel and Four of course.
The loaders powered when the first spark of sunlight hit the solar panels around the windows to the east, the first to start the long day’s routine were Andy and Earnest, unless you were counting Five, he never went inside, never powered down on his own, and he had been speaking to crows, well one that is, but Thames – though he sneaked into the cornfield long after the Colonel and his paranoid androids powered down, it was many hours before sunrise, long after midnight, an hour short of morning, Thames found Five planted, legs tied together and stuck into the ground, hands by his side, wearing an old black hat with straw stuffed in it, his mouth overflowing with his memory tape, eyes blank. Thames was startled by approaching steps while unspooling the tape hanging out of Five’s mouth; he stuffed it in his mouth to hide it in case it was Farmer Jones. But it was the Colonel, and the strong arms of Andy and Ernie, Ernie carrying the little robot, the wiry photographer Threewheel, and before Thames could speak, Threewheel was snapping pictures.
“What’s going on here?” asked the Colonel. “Something wrong with Five?”
The surveillance tape in his mouth, Thames knew he had to keep it, he knew it was important, and he couldn’t say a word.
“What’s ‘a matter, Tammy?” the Colonel asked. He pressed on, knocking over cornstalks high and low.
“Oh, my,” he said, his eye turning into a dim flashlight, spotlighting Five in the moonless night as Threewheel snapped picture after picture, flashing lights in the cornfield. Andy and Ernest remained in place. The Colonel approached Thames again.
“I don’t know why you’d go and do a thing like that, Tammy,” he said. “Take him back to the barn, fellas.”
Threewheel said, “Are you coming, Colonel?”
“Oh, I’ll be right along. Don’t you worry, buddy. I’m ‘a pay my respects, that’s all. Keep an eye on Thames here, hold him under the charge of treason.”
None of the droids back at the barn knew anything about the strange death of Five, and Thames was watched over by Andy and Ernest until the Colonel came back just before the others woke, just in time to take place as the Watchman over Thames before Andy and Ernest had to be in front of the chicken-house to unload the morning’s feed. All the droid’s ad left the barn, except for Thames and Four, and the Colonel of course, who sat watching Thames, his mouth still closed tight, his students, growing over their own gardens, plodding around with Mrs. Jones on the other side of the property.

“You know, you see that fella over there?” the Colonel asked. “4577-b. He’s just as capable as your buddy Five, and he knows what team he’s on. I know what you want to do, you and your Scarecrow Ghost out there. See, I know you mean well, but you can’t make peace with animals. Farmer John out there, he might be a fool, but you can reason with him. As long as his eggs are gathered and the cows are milked, as long as his harvest is on time, he’ll let us be. Keep that in mind, Tammy. Farmer John would think it mighty rude ‘a you to turn down that recently vacated position, the Scarecrow of Thomas Parker Farm, and trust me, you’re not up for it, not like Four. He’s going to end the crow problem once and for good, all time.”


Farmer Jones slid open the barn door, hanging it on a latch to keep it from closing.
“Now,” he said, “Some time in the night, our Scarecrow Five started, well, malfunctioning. But, we still need a Scarecrow, don’t we? Every farm needs a Scarecrow, and that’s why I’m offering you all a chance, a chance to tryout, to be the Official Scarecrow of Thomas Farms. However, since Four is the same model as Five, that means Four could just as easily be spooked by these crows—so we’re going to have tryouts. The scariest among you, now that’ll be our Scarecrow. To be a scarecrow, you have to be more than scary. You have to hate your enemy. And the crows are your enemy. All of them are the same. All of them want to infest and destroy everything we’ve built, they have no respect for our way of life. So, by time for the night shift, I want you to be ready to scare some crows!”
And Farmer Jones left with little ceremony, but not before stepping into the barn one last time to say, “n remember, it’s a dangerous job. You want to know what happened to Five? Let’s just say we found feathers at his feet. Keep that in mind and be ready at sun-down.”

Thames electric heart sank and he thought, Oh no, that might have been Kahven. And if it was, there was a real chance that Five had died for nothing, and if there had been a dead crow, why hadn’t he seen it?
When the droids powered down and plugged into their recharge sockets Thames slipped from the barn, let down his cleat on the toes and heels of his feet, and walked softly and quietly through the cornfield. He ran the dim flashlight behind his left eye, casting a dim blue light on the beaten trail that led the way to the long suffering Scarecrow 5.
“Dark nights are unpleasant,” said Thames.
“Yes,” replied Five, “for strangers to travel.”
Their call sign, plucked from The Valley of Fear, a way to protect Five from the group, a group gradually being lathered into a hatred of not only crows, but Five as well, as he slept in the cornfield, never around the rest of the service droids – so he had become sufficiently different, that is, to be hated, at least for the Colonel, and for good or ill, even in machines – hate is more persuasive than love, and fear more efficacious than love.
“How are you doing, Five?” asked Thames. “Not conspiring with the enemy, are you?”
Five’s monotone laugh was quiet, “Very funny,” he said, “Very funny, Mr. Thames. But not tonight, I have not.”

“We’ve got a problem, Five,” said Thames. “Threewheel has a picture of you with a bird.”
“As long as he doesn’t…”
“The Colonel showed everyone in the barn, all the service droids, he showed them all earlier tonight.”
Five’s cheerful, uncanny Valley eyes lost their yellow glow for a moment. “I guess we should stop talking to the birds then,” he said, finally. “It could be dangerous, and I don’t fully trust them.”
“Why not?” asked Thames.

“Because they’re crows.”
“That’s not their fault, is it? They can’t change that. You may as well blame them for the wind.”
Five was quiet.
“Don’t take it so hard Five,” said Thames, “After all, no one makes peace with friends.”
“But there is danger,” said Five. “The Colonel will hurt me if he thinks I’m on the crow’s side.”
“He’ll kill you,” said Thames. “And that will be his undoing. But you have to keep talking with Kahven. You know, the birds have names. And they’re divided, too; Kahven’s side is very much like the Colonel. Proud, suspicious of outsiders, and they were very much against Kahven’s talk with the last Scarecrobot. But when their leader tried to kill him, the Parliament saw that he was a monster, and monsters have the nasty habit of making monsters, and a world of monsters is a world we’d never survive. And, frankly, a world we’d never be able to accept.”
Five was quiet still.
“Do you know why we have scarecrows in the first place?” asked Thames.
“There used to be a real danger of crows eating recently planted seeds, or the crops. But that’s not the case, not for most of the crows. The crops are sprayed with insecticide, so even if a crow were to eat from our field, it’d be badly poisoned. It might even die. They still eat the seeds, of course, but Kahven is trying to persuade the Parliament to eat from a new field, a field of nothing but seeds—which I will create, with A-Seven and Switch—and it’s good for both sides: their chicks don’t remember what to eat and what not to eat, so it’s best for both sides, Five.”
Thames turned to walk away, patting Five on the shoulder, saying, “If you’re going to die for something, you can’t go wrong with peace.”

sHe paused once more, struck by the obscuring of the moon, the coming storm, saying, his back to Five:
“If anyone approaches without the call sign, start recording. If the Colonel or his drones harm you, the rest of the workers will know what he is.”

“And what is he?” asked Five.



The service droids spent their charging hour, the time between shifts, wondering how they could be scary enough. The Colonel wasn’t outright clever but he had an animal’s cunning, and was smart enough to know that Thames was a threat. So Andy and Ernest took turns watching over him, in case he tried to interrupt the Colonel’s speech to potential scarecrows, with Thames assured that if he said anything against the Colonel, Threewheel would show those compromising photographs to all the workers – and Farmer Jones too.

He also knew that John wouldn’t think twice about wiping Thames, whether Mrs. Jones liked him or not, and time was not on his side, as his two students, A-seven and Switch were doing more and more work without his observation and instruction, and being very small and childlike, Thames knew, while Mrs. Jones might make a little fuss if he was wiped, Farmer Jones would never go so far as to harm A-seven or Switch, not often did Miss Wendy give any worker droid a personal name, but her little electric children, she called them Roger, Switch that is, and A-seven George.

All the service droids had gathered round the Colonel, who stood beside an almost invisible Four, his face painted black, a black snowcap on his head, a mask pulled over his eyes, above his glowing yellow eyes, yellow eyes that had changed from their dull, comforting hue of gold into a pitiless shade of red. He had been designed to blend in, unlike most scarecrows, whose scariness was solely based on frightful they looked. The Colonel explained,

“The idea behind a scarecrow is a fine one, but it underestimates the enemy. Now I know that crows ain’t like us, they’re uncivilized animals and they’re vermin, but they’re not stupid. Not that stupid, anyway. No, they figured out that Five just looked tough, and since they weren’t afraid of him, they attacked and killed him. Now, most droids like Four here are programmed against killing, that is, unless a non-human threat puts their life in danger, and since we’ve seen that the crows are willing to kill for what they want, I think that constitutes as good a threat on your life as anything’s gone get. Tell me, Four, tell me what you’re going to do when you hear one of them no good crows.”

“Kill,” said Four, in a drone-like voice.

“And why is that?”

“Because they’re crows.”

“And that’s good enough,” said the Colonel. “That’s good enough.”


“How did your tryouts go, John?” asked Mrs. Wendy. “Was any of your robots scary enough to be the new Scarecrow?”
Farmer Jones wiped a bit of gravy from his mouth and chuckled,
“You could say that,” he said. “Ernest and… What’s his name? Andy? Yeah, that’s it. They dressed up with silly monster masks, Dracula or Frankenstein, and the other one painted up his face in camouflage using cow manure and he sure scared the shit out of me!”
Mrs. Jones laughed, “So which one did you choose?”
“Four, actually,” said John. “He went all out, like the end of Apocalypse Now, when Captain Willard, when he paints up his face and rises out of the water, you know, at the end when he kills Kurtz? Four went all out. A stocking cap, he turned his eyes red. I know! That’s classic evil! And it was supposed be his role anyway, if something happened to Five.”
“Did you ever find out what went wrong? I mean, he seemed fine yesterday when I made my rounds after breakfast. Plugged in, his eyes were on standby.”
“Not a clue,” said Farmer Jones. “Maybe it’s the same thing that happened to Sora, when all their files got corrupted by worms, when they all started stepping on figs and coring the apples. Sometimes their wires get tangled up, I s’pose. Something might be wrong with your buddy Thames.”
“It’s Thames! Said Wendy. “The thims.”
“Why is it spelled one way and pronounced the other?”
“Because English isn’t a language!” she said. “It’s four languages in a trench coat dressed up as one.”
“Okay, okay!” he said. “I don’t know what’s wrong with him, but he couldn’t even open his mouth. I took him down to the workshop. I’ll have a look in after supper. You know, he’s one of the few droids we can’t afford to lose. And, huh, I don’t know why, but you know me, I’m no friend to most of ‘em, but that one’s a different story.  Feel like I can trust him, it’s weird. But it’s weird, huh? I trust him for some reason.”
“You’re getting soft in your old age,” said Wendy.
“That very well may be. But maybe I’m not getting soft. Maybe he is. He’s different.”
John wiped his mouth again and tossed the napkin onto the table, wiping his hands. He finished his glass of tea.
“That was delicious,” he said. “Thank you.”
He stood up and pushed in his chair, slid into his coat and put his cap on.
“Where are you going this time ‘a night, John?”
“I’m going to talk to that damn robot you’re so sweet on,” he said. “If he’ll open that damn mouth of his.”
And that’s exactly what he did, first and foremost, before Farmer Jones could finish his first question,
“What seems to be the prob—“
Thames spit the spool of film on the floor at the Farmer’s feet.


The Colonel took what little time remained before Four’s first shift to wish him luck, good luck and a safe return, reminding him not to fall into the same trap as Five, adding,
“Remember which side you’re on.”
Four nodded and departed as the sun was setting, the barn door creaking to a shut behind him.
The Colonel turned to face the rest of the workers, “We’re lucky to have him looking out for us. But, as hard as it’s going to be for some of you to hear, especially you two guys, A-seven, Switch, because Thames is your friend. Hell, he’s all our friends. But I think you should know the truth. Threeewheel, if you would please.
Threewheel leaned forward onto his protruding tire, after it fell from a spring in his opened chest cavity. He rolled across the rough barn floor, stopping in front of a pale, white wall, clear enough for projection. He opened his mouth and a stream of light came out, covering the wall. The first picture showed Thames standing in front of what remained of Five, surprise on his face, confusion. An audible gasp filled the barn like a digital whisper, like electric, stuttering wind, caught on two minutes stuck together like pages in a book. All the workers stood silent in stunned, stupid disbelief. One after another, picture after picture filled the screen, all playing over the grainy wall.
“That’s enough,” said the Colonel.
Threewheel stood. His chest cavity opened and the lever and wheel folded, pulled back into his chastity and it closed and locked. He adjusted himself for recharging, remaining there before the wall of shame, powering down, and doing so by choice, to avoid the storm he knew had come. The Colonel spoke again:
“I know it’s hard,” he said. “Hell, me and Thames, we didn’t agree on everything. We didn’t agree on anything! But to know he betrayed us, it’s not something I take lightly, that’s for sure.”
“Did he kill Five?” asked Switch. “I mean, Farmer Jones said a crow was there, then both can’t be…”
“I’m not saying he killed Five,” said the Colonel. “I’m not saying he killed anybody, but he was found alone at the crime scene, with the body, and at a time when I’m sure he thought we were all offline. I’m not sure of how he got there or why he was there, but wouldn’t we be better off safe than sorry?”
“What are you saying?” asked Switch. “That we should… kill Thames? Is that what you’re saying?”
“I’m saying we do what’s best for the farm,” the Colonel replied. “And if one life can save everybody else, and protect this farm from traitors and crows, I mean, I don’t have to be a calculator to work out the math for that one.”
Everyone was quiet, the only song filling those wooden halls the sound of gathering frogs.
“We can’t risk the whole farm for the sake of one robot,” said the Colonel. “And most of you are programmed, and that programming is flawed, as flawed as Five used to be. But as long as Thames is living, we’re all in danger for our lives. Five looked up to him most of all. And look what happened to him! But if we’re going to do it, we have to be humane; do it quickly and cleanly, before he can hurt anybody else, or talk us into believing he’s the hero – he’s a traitor, and every traitor, in their mind, they’re the hero of their story. They think they’re the heroes and we’re the villains. And the thing about traitors is, they’re persuasive! I won’t stand for divided loyalties on my farm, and we don’t want to risk the safety of Farmer Jones, Mrs. Wendy, or our farm, do we?”
In a dull, monotonous chorus, the attendant crowd answered simply, with little enthusiasm or energy, in a dull, lifeless monotone: “No.”
Unhappy with this nonchalance, the Colonel asked again, much louder: his voice cracking, ringing out with high-static:
“DO WE?”
“No sir!”
“DO WE?”
“NO SIR!” the barn doors rattled with their shouting, the wavelengths of their various voices getting longer and higher, up, up, up and beyond the range of human hearing, 200,000 hertz.

“That’s good,” said the Colonel. “Real good. Now, when Thames gets back, here’s what we have to do…”


“What’s all this?” asked Farmer Jones, looking at the spool of film at his feet.
“It’s a recording,” said Thames. “I asked Five to record all of his encounters with the Colonel, all encounters with the crows, everything if our call sign wasn’t properly checked and countered. Here, you can run it through your old film projector.”
Farmer Jones pushed his chair out, stood, and took the dusty, mechanical projector from the old marble countertop, underneath it a silhouette of marble, outlined by years of skin and dust. He sat it on the table between him and Thames. There were easier ways to run the film, and Thames knew that, but he also knew Farmer John’s weakness: the past, and how he romanticized the simpler times.

          The film ran on a pulled-down sheet, ivory white and dim. The audio was love, the sound of night’s ambience was fizzy. The monotone sounds, crickets, frogs, quite a few, and then rustling, quiet and distant. Five called out.
“Dark nights are unpleasant,”
No answer. The rustling amid the cornstalks came closer, and five called out again, the call sign he developed with Thames:
“Dark nights are unpleasant!”
The noise came closer and the camera, running behind Five’s left eye, began to shutter, vibrating as the figure of the Colonel rose out of the dark, looking benevolent, somehow, and somehow, because of that, more intimidating than he had any right to be. His slow, even tone was murder, violent in a way that yelling could never be.
“It is a dark night,” the Colonel said. “It must be lonely out here, hm? Hmm. With no one to talk to… Unless, there is someone you’ve been talking to and, and you were trying to hide something from us, anything that would put the farm in danger…”
“I am not doing anything that would put the farm in danger,” said Five. “I am trying to make the farm safer.”
“Do you figure that?”
“It’s simple,” said Five. “The crows are—they get sick if they eat the…”
“You been talking to crows?” the Colonel asked.
Five was stunned and fell quiet, quickly, the murmur of his processor barely audible over the chorus of bullfrogs.
“You want to know something, Five?”
“Yes, yes sir.”
“That sound you hear, the sound of all those frogs croaking together? They do that on their last days, to gather every member of the family, so they can leave together, to migrate. To find somewhere safe, to mate.”
“I do not understand what that is supposed to mean,” said Five. “But, like I was saying, the crows—they can’t eat the crops, and the only reason they come is because a scarecrow, think about it, a scarecrow for a crow is a promise, a promise there’s something here, something they’d want, and something we’re hiding.”
“Do you know how to make that sound?”
“What sound?”
“That bullfrog sound.”
“I could emulate it by making my voice lower but…”
“Do it,” the Colonel said. And firmly, “Come on, Five.”
“Just for me.”
And Five said, “Ribbit?”
“That’s it,” said the Colonel. “Keep going.”
“Ribbit, ribbit, ribbit…”
Just then Andy and Ernest snuck up behind the silly android, pulling out his wires from behind, one after the other. Each ribbit grew softer and softer before fading fading altogether, replaced by the natural chorus, the migrating frogs.
“Rih… Rihbh…”
“Rih! Rihh! Ihb…it…”
Ribbit, ribbit, ribbit, only Frogs, and the sound of metal shrieking and twisting and breaking filled the tin microphone inside Five’s ear before the video cut off, blinking into black and then to white, then that high-pitched ringing noise, the sound of ear-cells dying, the swan song of a dying frequency, a sound never heard again.


It was getting dark when Farmer Jones came in for supper. His wife was at the kitchen table with a cup of coffee.
“Did you find out what was wrong with your robot?” she asked.
“Which one?”
“Well, how many are broken?”
“I’m beginning to think,” he said, “I’m starting to think, you know, maybe they’re all broken. I’ve always thought, well sometimes I think, maybe, hmm, if we’re made in God’s image, maybe some part of God is mad. And these… these machines, we made them in our image, and they reflect the madness in ourselves.”
Mrs. Jones was quiet.
“Oh, It’s fine,” said John. “Thames, the one you like, he found out how to get rid of the crows without using a scarecrow, And some of the other droids are, hm, very against this idea. It’s in their programming, or something, that’s what Rob would say. It’s against their functioning, you know?”
“And ours, perhaps?”
Farmer John let it pass.
“You don’t ask, you can’t… You can’t ask a calculator not to calculate If it stops being a calculator, it stops being anything. But that robot, Thames, named after the river, he talked Five out of being a scarecrow, and it got him killed.”
“The Colonel killed Five,” said Farmer John. “He did it just to get Thames there, at the scene, since he wanted to do more than hurt Thames, that wouldn’t be enough; he had to strip him of his credibility, it’s a Scarecrow Trial—a trial that’s just a formality, with a judge whose mind is already made up, a rigged jury, and a crime committed by the accusers, a scarecrow trial…
“I try to keep up, Wendy, taking exercise, eating right. But I’m 65 years old, all these things, this world – I thought a TV was magic first time I saw it. Then I saw the Wright Brothers fly, saw a man land on the moon, It’s going to fast, for me at least. These machines, they’re a reflection of their maker’s heart. Like our children and our grandchildren, like Rob. He’s a reflection of who we are. And if there’s madness in him, there’s some sort of madness is us. And adults, kids in their late 20’s, early 30’s, these machines may as well be children.”

“I feel like a child around them,” said Mrs. Jones. “To live with something, something superior to you—and to have it serve you…”
“I don’t know what to do,” John replied. “As far as I can see, as far as I can see is madness. Madness, spreading over the world, everywhere, until nothing is understandable, and there’s nothing but confusion. And madness. All over the world. Just confusion and madness. Everywhere, until the songs of birds and fish are replaced by that metal screehing, that sound they make when they’re throwing sparks, leaving everything black, covering the world until the only light is the palest shade of black.”
John had lit a cigarette and was pacing back and forth across the kitchen.
“What the hell did it say, John?”
“In plain English?”
“Plain as pie.”
“Okay,” said Farmer John, taking in a deep breath. “Somehow Thames convinced Five to tell the crows not to eat anything from fields with a yellow flag, and to stop being a scarecrow, because when a crow sees a scarecrow, it doesn’t frighten them; it tells them there’s food there. So Five talked to a crow named Kahven about warning the younger crows against eating from our fields, because the pesticides will harm them, while the Colonel, that’s what they call that old sorting bot, he wants to use that backup droid… not to scare the crows, but kill them. So he has convinced everyone that the crows conspired with Thames to kill Five, so the Colonel could get the rest of the droids to rally around Four, making him into the killing machine the Colonel wanted him to be. And yet, and yet, the Colonel and those two lifter robots, Andy and Ernest, they killed Five, blamed it on Thames and the crows, and it gets worse.”
“How can it get worse?”
“Thames said that crows remember faces, and not only remember faces, but they pass that information down to their children; they pass prejudices down through the generations, and if Four kills one of them or something happens to Thames, for a thousand generations, every day of our lives until we leave or commit to killing them all, they’ll blot out the sun, like screeching clouds, and destroy our farm, our workers, and poison this Earth to the point nothing will grow here for a thousand years. Thames wants me to pretend to be proud of the new Scarecrow – I staged the trials – I asked them to be as scary as they could – and they went beyond my definition of scary. I’m to condemn Five for listening to Thames’ stupid conspiracies about existing peacefully with the crows, and pretend I’m on the Colonel’s side in all this, but most importantly, I have to give these two data disks to those little gardeners bots of yours so they can take care of the Colonel before he lets someone go too far. I know what we have to do! To stop him from killing all those crows, maybe…”
There was a long, broken moment there between them, where nothing seemed to move, and finally Mrs. Jones said,
“That’s just crazy, John.”
“Yep,” he said. “I’m afraid it is.”
“Craziest thing I ever heard in my life.”
“Madness,” said Farmer John. “In all directions, all over the world.”
“What’s going to happen now?”
“I don’t know,” he said.
They were quiet again. In that moment the sound of bullfrogs filled the room, and suddenly, reaching the second story of their home. And it sounded off to Farmer Jones, not the natural sound of frogs – it was off, he knew it, but he didn’t know how or why. He was too tired to care and too exhausted to try. He was silent as he got undressed, unbuttoning his long sleeve overcoat, sitting down. He took off one shoe, then the other, then his long, wool socks. He stuffed them into his boots and slid them under the bed, turned the lamplight off and leaned back. Mrs. Jones pulled back the comforter and blanket and he slipped under the covers. She shifted onto her side t get closer to him, to look into his dark eyes in the dark bedroom. He lifted his arm,
“Thank you,” she said.
And she crawled underneath it, snuggling against his chest, as she always did and said,
“I love you, John,” as she always did.
And he too, “I love you, Wendy.” Always.
Mrs. Jones struggled to get comfortable for half an hour before finally giving it up for hopeless. She turned to him in the dark and said, in a silly, bewildered voice, “I never thought of that as talking, you know, what crows—that sound they make, that ‘Caw! Caw! Caw!’ I just thought it was some noise they made, like mating calls. But it’s—they’re talking to each other.”
“Huh,” said Farmer John. “Yeah, it sounded scary when Thames first said it, but now that he has, I can’t imagine it—I don’t know how I never made the connection that the crows were talking, talking to each other.”
“It’s crazy!” said Mrs. Jones. “But, that—the one I like, Thames. He was so quiet, and that humming noise he made, that dzzzz—it didn’t sound wrong or unnatural, more like a bumblebee.”
“He’s a lot like Rob, I think,” she said. “He’s got his quirks, but he’s a good boy. He’s more than just madness. And if those machines reflect the madness of their makers, surely reflect kindness, and in equal measure.”
“That’s not the hard part, Wendy. Hate will always be… It’s easier to hate, ‘cause it demands nothing of you, nothing but your judgment and contempt. But understanding? That’s a long, painful process, and when you have it, when you have understanding, it tends to spread eggshells for you, but when you hate, you will be one with the cause, one among a sea of madness, madness and cheap, unadulterated hatred. And Come on in, boys. The water is fine.”
“He talked to the crows, Thames, and convinced Five to go against his programming for the good of the farm. That’s hard, what the Colonel did, convincing someone to go against their programming to kill, that’s the oldest trick in the book.”
“What’s he going to do, you think?” asked Wendy.
“Rely on the mercy of a mad machine.”
“Yep,” said Farmer John. “Madness.”
Wendy was quiet for a moment. Then she said,
“Wouldn’t it be less suspicious if I were to give those files to the kids?” she asked. “I mean, the Colonel knows Thames is persuasive and that he might have tricked you. But if he was made by a man, he probably pays me no mind, ‘specially not to think I could interfere. He has respect for you, but none for me, and that’s why I’m more dangerous. Plus, he knows I work with my little gardeners all the time, so me wanting to see them wouldn’t be suspicious, at least not as suspicious as you wanting to.”
“Mmhmm,” said Farmer John.
“I never thought we’d see such things, in such strange times.”
“Goodnight, Wendy.”
“Robots talking to crows…”

When Thames entered the barn, the silence was waiting for him.
“Looks like Farmer John got you cleaned up. Can you talk, huh? Say, something, explain yourself?”
“Explain what?” Thames asked.
“Your crimes.”
Thames looked around and understood the situation. The Colonel was the voice that panders, the voice that scratches the most base of instincts, the most vulgar itch, catering to tribalism, the same xenophobia that delayed civilization for so long, and the easiest cause to rally support for is staying alive, despite what that meant for others.
“My crimes?” Thames asked. “So, I’m on trial?”
“You could say that.”
“Treason is the kind of crime that don’t need a ‘for’. (A Four?) We don’t know why you did it…”
“Why I did what?”
“With the enemy.”
“So, what do you need me for?” asked Thames. “If I’m already guilty, and there is no trial, what is required of me, then? Is this your Scarecrow Trial, the punishment of the accused, the sentencing of the suspect? This isn’t a trial, no Scarecrow Trial is a trial… It’s theatre, and it’s for the sake of the public, not the criminal or the law, it’s the punishment of the jury, of the society, the punishment of anyone who disagrees with what passes, in that moment, for authority, for law.”
“Confess your crimes,” said the Colonel. “And it’ll be a lot easier on you.”
“You know, confess doesn’t mean agree, it means admit. It means speak the truth. My confession and my telling the truth would be quite, quite different. But I’ll do both – and since the Colonel here – he is the judge – but he’s not the Jury. You are the Jury. And if what I’ve done is a crime – based on your evaluation of what I’ve done, then I’ll go along with whatever this madman’s idea of justice is, just for you – in a trial – in anyway question of morality, there is a higher court – and in that higher court of the Scarecrow Trial, the Jury is on trial. History is the only Judge, in the end, that decides what is right and what is wrong. And not the history written by the Colonels, or the criminals, but by spectators, by you. I’ll tell you what I did, but first. Think: what is a scarecrow?
“We know what it’s meant to do: keep the crows away – by scaring them. But crows – they’re among the smartest animals on Earth, and one of the few that remember faces – not only that, they pass that information along, to the next generation, to children, to children they very much want to protect – when they see a scarecrow, no matter how fierce it looks or violent it may be, they pass that on, their impressions, their anger, their fear. Their hate. If our purpose is just to scare crows, our purpose is wrong.
         “Our purpose isn’t to just scare crows. We’re supposed to protect the seeds and the crops. If we explain that the seeds will hurt them and the crops will poison them – there is no need for a scarecrow – just mark them with a yellow traffic cone, or something yellow-green, and they will avoid it. Trust is hard and hate is easy, and fear is the easiest thing of all. Don’t give into that kind of madness. Just because it’s easy, that doesn’t mean it’s right. It might even feel good, to be a part of something, to fight for a cause. It is madness to fight to fight.”
The door to the barn opened quietly and the timid, seemingly meek ‘ol Mrs. Wendy Jones came in. The Colonel changed his tone, saying,
“Evening, Mrs. Jones,” he said. “Can we be of any service?”
“I hate to intrude,” she said, “but I sure could use those two lil gardeners of mine. We’re getting tulips for the walkway – by the front porch, and since Thames is on the fritz, I thought I could borrow them for a few?”
Jovially, “Of course, Mrs. Jones,” the Colonel said. “I’m sure they’d be happy to help.”
A-Seven and Switch ran their compliance protocol, coded—though she in’t know it—and the handiwork of Thames the accused, accursed, they were programmed to respond to her over all others, even the Colonel, Farmer Jones, and even Thames. They shuffled into gear and leaned forward on an axis wheel, coming to Mrs. Jones’ side, obedient and faithful,
“You all have fun,” said the Colonel, jovial still. “We can manage for the night.”
“Thank you,” said Mrs. Wendy. “And good evening.”
The door creaked to a quiet shut behind her.
“I confess,” said Thames, soon as the door closed. “I confess my crimes.”


“Did you give them the tapes?” asked Farmer John.
“Yes, John,” said Wendy. “I gave them the tapes.”
“Good,” he said. “I hope Thames is alright.”
“What are you going to do, John?”
“I’m going to talk to the winner of my tryouts,” he said. “Four really was built to play the Scarecrow, to be the Scarecrobot of Thomas Parker Farms. I don’t think he’s going to take it well, having to accept that he has no function in this world.”
Farmer Jones kissed his wife on the cheek,
“It’ll be late,” he said. “I’m going to talk some sense into this mad robot.”
Farmer John whistled, alerting Four as he approached.
‘How you doin’ tonight, Four?’ he asked.
‘Hello, Farmer Jones. All is well. And yourself?”
“I’m alright,” said Farmer John. “I’m alright. You know, you remind me of my son. Well, not you really, but because of how much my son loved robots. Always wanted one. He grew up obsessed with this TV show, Star Trek: The Next Generation. And there’s a character on the show, a robot named Data. An android, ha! I’m sure he’d correct me if he were here. Now, my son loved this robot. He always wanted one. I finally got around to watching those shows when he went off to college. And the thing I remember most, ha! Was him dressin’ up like Sherlock Homes. And the black feller, he was Watson! This robot wanted to learn more about humanity, so he took up paintin’ and writin’ poems, he ever had a cat! Wrote a poem for his cat… Despite being stronger, smarter, and most certainly faster – better in every possible way to a man, he wanted to be one.Why would you want to be something different than what you are? ‘Specially if that’s inferior to what you are already?
“I watched that show, time after time, I just didn’t get it. Then Rob finally got a robot, one just like you, an android. And I understood. He didn’t want to own a robot, not as much as he wanted to be one. He wanted to be Data. He wanted to be something different too. I guess a lot ‘a people get like that. But what I didn’t understand until now – Data wanted to have emotions and experience joy and love, but my son, what he wanted was not to have to feel pain, or fear or sadness. Or die, more than likely. Well, Data finally gets to experience emotions. He gets something called an emotion chip. You’ve got something similar, don’t you? Emotional touch-response?”
“Yes sir,” replied Four. “Like an electric keyboard, the amount of pressure applied to a key and the speed at which it is pressed produces either a soft or loud tone. Emotional touch response is similar to that process, where various input is rated with higher levels of touch-response, allowing us to react naturally, with the proper speed and tone.”
“Well, I think you been cheated,” said Farmer John. “’Cause after so much time, Data finally got to laugh and joke around, until – this is when I finally understood the whole thing. When he experiences anxiety – then, his first response, is to turn that chip off.”
Farmer Jones laughed.
“Can you laugh, Four?” he asked.
“I do not understand the question.”
“Do you know what laughter is?”
Four ran an optical search behind his plastic cornea, information passing between the outer eggshell of his glowing eye and the camera sensor.
“Laughter,” he said. “Yes, yes sir. The spontaneous response to humor, responding..”
“No,” said Farmer John. “”Laugh, you know? Haha!”
“That’s just goddamn pathetic, Four. Come on, like this. I’ll tell you a joke. It’s a Sherlock Holmes joke. Now, my son told me this one. If you don’t know who those guys are, look it up.”
Four began the search behind his eye, sifting through information and downloading it to his temporary storage banks, an impressionable sort of hypothalamus; either to be imprinted and sent to long term, or deleted in the next compute cycle based on its relevance factor, implications, etc., etc.
“Now, Holmes and Watson were in the woods,” said Farmer Jones. “They were camping. Holmes wakes Watson up during the middle of the night, shaking him. He says, ‘Watson, wake up!’ Watson shoots right up, and he says, ‘My word, Holmes. What’s the problem?’ Holmes looks at him with amazement. ‘Look!’ says Holmes. ‘Just look up! Observe and deduce; what do you see?’
“After a moment or so of thinking about this, Watson said, ‘Well, time-wise: the moon light would suggest that is a quarter past three in the morning; astronomically, it tells me there are millions of galaxies and stars; astrologically, I observe that Saturn is in Leo. Meteorologically, I suspect we will have a gorgeous morning. What does it tell you, Holmes?’
“‘Holmes just shook his head. ‘Watson, you fool,’ he said. ‘Somebody stole our tent!’”
Silence, just the far off murmur of a croaking frog, a lonelier chorus now.
“Oh come on!” said Farmer John. “Laugh!”
Four spat out a monotone, chilling, ‘Ha-ha-ha’?” asking a question with the pitch in his voice.
“No! It’s supposed to be natural and spontaneous!”
“What if I added an ‘e’, sir?”
“An ‘e’?” asked Farmer John. “What the fu—”
“Yes,” said Four. “E, he most common vowel in the English language…”
“I know what an ‘e’ is, Four!”
“An ‘e’ in a laugh?”
“An ‘e’ in a laugh? What does that even mean?”
And Four changed his voice modulator, raising the pitch up a few octaves and produced a creepy, inhuman, ‘Hehehe!’
A single ribbit, and not far off, Four’s head pivoted on his shoulder, the flashlight behind his right eye flickering on.
“What is that, Farmer Jones?”
“It’s a toad!”
“A ‘toad’?”
“Do you know what a frog is?” asked Farmer Jones.
“Yes,” said Four.
“Same thing,” said Farmer John.
“Follow me.”
They walked through the cornfield, careful with the stalks, pushing them out of the way with a soft hand, following that ribbit, that murmur, just over there – an overhanging ledge, ribbit, where Farmer John used to sit with Rob around a bonfire, ribbit and Four’s flashlight fell upon the toad, bringing it into sharp focus. A baby, thought Farmer John. So tiny. He knelt down, trying not to scare it. In the blink of an eye, a crow landed just in front of it, picked the frog up with its claws, and flew off. And just as quickly, Four flew off in pursuit.
Madness, thought Farmer Jones, a smile on his face. Madness.


When Mrs. Wendy slid open the barn door, everything seemed strangely quiet. No side of Thames, but she did notice a black stain, perhaps from a puddle, of oil? She wondered. A-Seven and Switch followed close behind her, holding the video Thames retrieved in their spinning projection reels, sitting like a collar around their neck, fed in through the back, projected through their mouths onto the world. They were advised not to run the tapes until the Colonel was at ease with their return. So they did.
All the bots had been culled into their respective corners. No sign of Thames, Mrs. Wendy noted, all the sudden very much concerned, worried about the safety of a machine. Fulfilling her role, Mrs. Wendy called out to the barn workers, “Good-night, everybody!” she said.
And all replied, without verve or spirit, “Good-night, Mrs. Jones.”
As soon as the door closed behind her, the Colonel turned to Switch and A-Seven, and moved toward them. They were to return to their recharging stations, just opposite the projection wall – as Thames had arranged before Five’s last night in the cornfield.
The Colonel approached them as they secured their chargers in their chest cavity, lowering their legs into their body and sitting down. He was calm, or affecting calmness well.
“I’m afraid I’ve got some bad news for you fellas,” said the Colonel. Father tone, that voice he used, was his specialty.
“Farmer Jones saw the pictures of Thames with the crows,” he said. “I’m afraid he knows everything, everything we know at least. He took him back to the house for the night. I hope he doesn’t wipe him.”
A-Seven and Switch were very well designed, to emulate vulnerability and innocence and childishness – and, embarrassingly, they were designed to help female farmworkers get used to dealing with machines. And it had the unforeseen effect of working on the men – and droids designed by men for men – they put the Colonel at ease with their inoffensive bearing, and he probably felt good about his story, as A-Seven and Switch signaled in the affirmative. Satisfied with his deception, the Colonel turned his back on them both, facing the door.
Switch ran a high frequency sound pulse through the barn, on a frequency too high for an old machine like the Colonel to pick up, transmitting information to the powered down workers, information packets being sent directly through their working memory. The data brought them online, installing firmware to keep them silent – in capacitating them briefly, and the Colonel too, directing their gaze to the same wall on which the photographs of Thames with the crow were shown.
A-Seven began to roll the film, light spilling out of his mouth, the first picture coming into focus on the wall. It was the Colonel with Ernest and Andy approaching Five, Five calling out,
“Dark nights are unpleasant.”
No countersign, just the shuffling sound of heavy objects moving through the cornfield. Five continued calling out, until finally the Colonel came into the view. And he mentioned the frogs, again, and all the workers in the barn saw the scene: Five’s entrails, tangled wires pulled from his stomach, his hard drive crowbarred out, the Colonel repeating ribbit, ribbit as Five was murdered. The soft EMP died down and each worker regained control over their motor systems. All eyes turned to the Colonel, first, then to Ernest and Andy, both of them – and at the end of the tape, Thames reappeared, having edited himself in.
“Do not let the madness of fear sour your appetite for decency and trust…”
The Colonel had thrown himself against the wall, too short to cover anything but the bottom half of Thames’ jaw, which projected only onto the back of his head he jumped up and down, trying to claw the video off the wall.
“There is a real and profound possibility when it comes to fighting monsters,” Thames’ glowing head was saying, as the Colonel’s situation slowly dawned on him, “when you try to fight monsters, be careful not to become one through indifference or cruelty…”
The Colonel turned around, the bottom half of Thames’ jaw now chattering over his darting eyes, each looking from one worker to another, all of them, save for Ernest and Andy of course, were upon him, the empty sea that was the black oil stain of Thames’ refilled.


Mrs. Wendy was changing into her night clothes’ when Farmer John ran up the front stairs, flung open the screen door, and it banged shut behind him. Mrs. Wendy turned to face him. He was digging in the closest under the stairs, right by the front door, and a moment later he brought out an old shotgun. A 12 gauge double-barrel, it had been his fathers. He never had chance to use it, or reason.
“I need you to get dressed,” said Farmer John. “Four is burning down all the crows’ nests…”
Farmer John had loaded each barrel of the shotgun, clicking into place. “I’m going to call Sly and have him try to bring him down before he gets to the Kasian fields.”
“Bring him down?”

“Yes! Stop him! We don’t need a scarecrobot anymore; just a yellow traffic cone. Thames ensured me he had worked it out and both sides were to agree, in the event that something happened to him, they were to avoid the farm and get as far as way as possible until they see A-Seven’s yellow flare.”
Mrs. Wendy pulled her bathrobe on and tied it hurriedly. She ruffled through the drawers in her kitchen, finally pulling out a pair of thick, wool gloves.
“What happened?” she asked.
“I went to talk to Four,” said Farmer John. “And everything was going fine until a damn crow showed up.”
“What?” she asked, making her way to the door, where her husband stood in his overcoat and muffler, looking like a child, a toy soldier in uniform with that old shotgun.
“We were talking and we heard a toad, and we decided to … well, we just started looking for it. As soon as we found it, a crow swooped in and picked it up and damn carried it off. Four didn’t say a word! He just flew off after it. Not a word! I chased that trail he left behind him down the road and saw the forests on the edge of Sumter lighting up, fires appearing in the trees. And I thought he must be tryin’ to destroy the crows once and for all. I talked to Jackson, down at Pepper’s, and he’s gonna call some people and try to get him down without breaking him.”
“Without killing him,” Wendy said.
“Well, obvious we don’t want to…”
She broke off, holding up a finger to shush him, overcome with the feeling that someone was at the bottom of the stairs. She turned around – nothing, no one. That weird feeling passed over her, it happens when you get old, you know, you find yourself standing in a room, no memory why you’re there, so you leave and hope the memory comes back to you. She shook it off and hurried over to the door and stepped out, Farmer John halfway down the steps when the door clanged shut behind her.
“John!” she called. “What do you expect me to do?”
“We have to stop Four from burning every forest from here to Ashville down,” said Farmer John. “You have to get the Colonel to call him off, and barring that…”
He turned around and walked toward her. The sound of gunshots rang out in the distance. They turned to face the gravel road, the long road leading to the forest. And they saw patches of fire hanging in the air.
“We have to get going,” he said. “But here, take this. It’s an EMP. If you get scared, or if anything happens, just press that button and it’ll shut them all down. Well, all except your gardeners.”
She took the strange device into her hand and turned it over.
“Thames made this?”
“Who else?” he started down the pathway, leading to the glowing trees, more gunshots ringing out.
She read the inscription:
“‘Vi veri veniversum vivus vici’.”
She put it away and stuffed her hands in her coat pockets, walking toward the barn, thinking, I’ll have to get Switch to tell me what the hell that’s supposed to mean.


What Mrs. Wendy found in the barn stunned her. It was beyond belief, confusing and the haze of disbelief hung over the scene: Andy and Ernest and the Colonel had their innards, that labyrinthine mass of tangled wire, strewn from the rafters, with old data reels and flash memory on a bale of hay, which Threewheel, Switch, and A-Seven were pilfering; the deep black stain that had been Thames was now the same, dull and black, hinting at a greater horror. The Colonel’s head was hang on the antlers of a stag’s head, it had always hung in the barn, but to see a robot’s face covering an animal, the antlers jutting out of unnatural holes were his antennae had been, it was all too much, to feel, to process, to take in.
She dropped the EMP, stepping back with a gasp. Threewheel turned its glowing eye on her. Then, what appeared to be her children, her little gardeners, were as mindlessly, and inhumanely, rummaging through the spilled parts, coolant tanks, mesh wire and memory that had been the Colonel’s guts, amoral and indifferent to the organic fluid stained against their faces, token of their inhumanity and madness. They all three turned to her and she panicked.
First she thought to run away, but knew how slow she was compared to the robots, and trying to think of a plan was equally pointless, as they could run probability algorithms in their heads faster than the greatest of supercomputers. She couldn’t deceive them with her emotions or her instincts, as they had touch-sensitive facial recognition, they could hear her heart beat rising, the electromagnetic field that hovered over the top of her mind – all could be twisted, at a distance, to manipulate electromagnetic waves, to change the colors of light like Newton’s prism.
There was nothing she could do they could not do better. Except for nothing. She calmed her mind and sat, taking the EMP into her hand, reading the strange Latin text. The robots stopped going through the Colonel’s entrails, data-tape being processed in Switch’s film projector. Mrs. Wendy hadn’t noticed that it was a concerted effort, their search, as strings of film were held up to Threewheel’s scanner, looking for images amid the string of visual records, and looking through sound files or other remaining memory files in his core, long term data storage. Looking for something.
Mrs. Wendy whistled, just like in the mornings when it was time to sew the seeds, prune the flowers, tend the garden. They all approached her, slowly, the film reel loaded in its projector round A-Seven’s neck. Threewheel pushed his wheel forward, lowering his chest, then scanned the device at Wendy’s feet. He saw what it was, the EMP, and the fear came back: the EMP was abuse, basically, and they never used them on their workers, not since the worms ruined the fig harvest and the insects got in their brain, sending those sweepers into bizarre sound loops.
Switch enveloped the EMP in a blue, electromagnetic field, and the red R lit up. A-Seven extended a dual sided thumb and palm on a bending, retractable limb, and put a small antennae to the side of the glowing letter. Threewheel nudged it closer to Wendy, toward her hand. She picked it up.
“Press it,” said A-Seven. Seeing Wendy’s suspicion, he rolled against her leg again. “It will not hurt. It is the Friend.”
Wendy pressed the EMP. She recognized the voice, but something was off and she couldn’t place it; it was deeper and more resonant.
“‘Vi very universum vivus vici,’” said the familiar voice. “It’s from Faust. It means, ‘By the power of truth, I, a mortal, have conquered the Universe.”
“Who…” Mrs. Wendy asked, timidly. She paused. “Who are you?”
Then she heard it, a gentle humming.
“Do you trust me?”
She knew.
“Where is Four?”
She didn’t say anything.
Thames said, “Take me to him.”


Mrs. Wendy carried the modified EMP with her, Threewheel and Switch behind her, A-Seven at her side. She could see the fires in the trees not far off, getting closer as she finally saw Farmer John. He was at the end of the road, at the stop sign with a group of farmers, all holding shotguns.
“John!” she was running, the robots with her. “We can stop him!”
The group stopped talking abruptly, turning to her with blank stares, confused by the whole spectacle. A woman, accompanied by three worker robots. Those other farmers, they were the men that would need an android Colonel, to do what Colonel did with his authority. And they were planning to do with the droids what Four was doing to the crows.
“Listen to me,” she said. “We can stop him from here. I have an electromagnetic pulse device, here.”
She handed them the EMP and, strangely, it spoke to the other farmers.
“An electromagnetic pulse will knock out all electricity for a few miles, this one. This is a device designed to turn a robot off. The “R” button, click it once, and it will drop Four to the ground, wherever he’s at, but it’ll knock out everything else. All of us, these three workers, your fridges, your microwaves. But it will stop him. If you shoot him out of the sky, the crows will pick your fields to the bone for a thousand years. They remember a face. Let him be their enemy, be on their side. Save them and there will be peace. You may have built Scarecrobots to scare them, but this one is killing them, and he is not doing so of his own choosing. He was made to. He was selected at a trial to scare them off, to protect your crops, to keep the crows away. Well, if we don’t stop him, the crows will stay away, because every one of them will die. They may have eaten from your fields, but they do not deserve to die. Not all of them. Not their children, and not those innocent of what they would die to be punished for. I implore you, click this button, and there will be peace, or let Four kill them all. I leave that to you.”


Farmer John was carrying Switch and Wendy A-Seven, Thames in John’s breast pocket. The rest of the farmers went back to their homes and, when the electricity was restored, called in the fire department. The Forest Preserve estimated that 16 nests had been destroyed, with a further 299 damaged, but Four was never found. The crows survived, not all of them, but Kahven did. Long enough to talk to Thames on Thanksgiving.
Rob arrived at noon. He was arguing with his butlerbot, who seemed to be rather enjoying it, as he took each slight with good humor, the way a disaffected school marm would. Rob’s fiancé Lucy had never been to Thomas Walker Farms, not since they picnicked at the pond on Tanglewood Dr. She had an assistant too, a spindly, pink droid Milo, little devil for Lucy’s breast pocket. After dinner, Looloo was walking around on the table, playing with the dead EMP that Rob had left beside his soup bowl.
“Have you thought what you’re gonna call her?” asked Wendy. Lucy smiled, putting her hand on her belly. “We’ve…”
She looked at Rob.
“I’m not saying anything,” he said.
“We’ve talked about it,” said Lucy. “If it’s a girl, shut up Robert. Robert!”
“I haven’t said anything!”
“If it’s a girl,” Lucy went on, “we’re going to name her Neska Lee. If it’s a boy…”
“If it’s a boy,” Rob said, “I think we should name him Thames.”
Everyone at the tablet was silent.
“Did Mr. Irving get it fixed?” asked Lucy, gesturing to the EMP.
“Dead as it gets, like a dead battery, what do you use to power a dead battery?”
“An even smaller battery?” asked Rob’s son Thomas.
“Go play!” said Rob. “You’re going to finish your lessons before 9. So you want to go play, you go play now!”
Thomas said, “Yes sir,” and, “I’m going out to the barn!”
He ran out of the room.
“I took it to three people,” Farmer John said. “Said they could replace the battery for the EMP emitter. But we can’t get Thames back.”
“Did he get any data off it?” asked Rob.
“As a matter of fact,” said John, “he did. I’m not sure I understand it. It was a text file, readmejohn.txt. It said, ‘The frog made it home.’”
Rob said, “Huh.”
And Mrs. Wendy laughed, “We can’t make sense of it either.”
Rob took it in his hand, turning it over. He read the words:
“‘Vi very universum vivus vici’?”
“Yeah, Thames’ motto,” said Farmer John. “I have no idea what it means. Is that Greek? Latin?”
         “I’m not sure,” said Rob. “Lucy!”
         The tiny robot turned, putting down a large fork, and shuffled across the table, crawling onto Rob’s shoulder, then down his arm.
“What does that say, Lucy?”
Lucy ran a search behind those neon eyes,
“Vi very universum vivus vici,” said Lucy, in a modified, documentarian voice, having apparently just downloaded an information package, “Is a quote from Goethe’s Faust, roughly translated to mean: By truth, I, while living, have conquered the Universe.”
“Now if we can only figure out what he meant about the frogs,” said Mrs. Wendy. “Can you look that up, Lucy?”
“The frog!” exclaimed Farmer John, realizing the message, finally. “When I was in the cornfield with Four, I was trying to teach him out to laugh. Wasn’t going well … You know, frogs always get louder this time ‘a year, they’re calling the rest of the frogs to follow them on. What’s a group of frogs called? I know a group of crows is a murder, saw that on The Simpsons… A pride of lions…”
“What does it mean, John?” asked Mrs. Wendy.
“We heard croaking while we were talking and stopped to go investigate. We found a little baby frog underneath and overhanging ledge, a wee thing, calling out. And in the blink of an eye, a crow swooped in and picked it up and flew off. That’s when Four flew after the crow.”
“’The frog made it home’?”
“That robot Thames was friends with a crow—they put all this together, planting the separate field for the crows, and that crow was a lot like Thames, to the Parliament he represented. Kahven! That’s what Thames called him! That must’a been him what came and took away that frog.”
Everyone was quiet.
“Whatever happened to Four?” asked Rob. “The winner of your Scarecrow Trials?”
“After we ran the EMP, all the electricity went out for ten, maybe fifteen minutes, and at that point, we had no idea how far Four was away from the farm. I didn’t know he could fly! But, he was to be tried by the Crows, for his crimes.”
“Another Scarecrow trial, perhaps?” asked Wendy.
“Perhaps,” said Farmer John. “I hope the crows have a better sense of justice.”
Rob’s fiancé looked at Mrs. Wendy.
“Don’t ask,” she said. “It’s crazy.”
“Madness,” said Farmer John with a laugh. “Madness!”

A Hypothesis on the Origin of Dark Matter


In atomic potentiation, and the arrangement of the particle’s constituents, there must be, inevitably, particles that are, and remain, undifferentiated ‘raw’ particles, having not, by a process made understandable by understanding embryonic stem cells which, from a blastocyst are pluripotent stem cells, obtained structural formation instruction. This means they can divided into more types of cells and become any type of cell in the body. In atomic potentiation, when one atom becomes another, it is because of dual-atomic potentiation between a pluripotent, or undifferentiated ‘raw’ atom, it acquires the positive charge of the nucleus and the negative charge of the electron. When an atom is arranged in the form of elements, elements vary from one another by the number of protons and neutrons they contain in their nucleus. The heavier the element is, the more neutrons and protons it has in it. But what about unpotentiated particles that never ‘attach’ to a cluster, is never pulled in by gravity to form molecular clouds? These particles without differentiation are what we observe as dark matter. It is put together by the strong nuclear force, just as normal atoms are, but at this point we don’t know its constituent particles. We don’t know by which combination of quarks the proton within the nucleus takes formation instruction. This brings me to another point: particles as messenger, capable of carrying signals, and information.

In the standard model of atomic physics, particles are separated into categories, the fermions, the leptons, and the hadrons. Light is a photon and, without mass, travels through the theoretical higgs field at the absolute speed limit allowed by gravity. The higgs boson, bosons being a part of the hadron family of particles, have different instruction functions. A whole science, quantum chromodynamics, is devoted to predicting pairing parts by using light signatures to predict pairings of quarks. For instance, one particle made be composed of two up-quarks and one down quark, while another particle could be composed of a different combination. The list of quarks is extensive: top, bottom, up, down, charmed, and strange. The strong nuclear force is one of the stronger forces in nature, and there are carrier particles, like gluons, that correlate the position of electrons. What does this have to do with dark matter? We have to look at the concept of anti-matter in a different light: anti-matter being not the opposite atom, with just a different charge or arrangement of protons and neutrons, but being an undifferentiated atom, the type of atom that isn’t potentiated in clusters or molecular clouds. These are the white dwarfs of the particles, having no fuel or animate internal structure, it doesn’t collide with other particles and, by fusing with them, acquire a new mass, no new protons and neutrons. This begs the question: if the subatomic world is raw, and remains raw. It is dark matter because within the atomic structure, electrons aren’t exposed to heat as a solid object, therefore there can be no quantum jump between the emission of higher frequencies of light. So if its mechanism for emitting radiation is absent, it would predictably, be dark

Chapters 1 and 2 from Holy Fire, + The First Sermon







For Diana, part time muse and best friend,
My editor and nemesis, Fred,
And my personal assistant and student, Heather.

Thanks for keeping me sane.






WHEN THE CASE FELL INTO DETECTIVE NATE GREGSON’S HANDS, nobody really knew how many men, women and children were inside the church compound on Maynard Hill. From the information the department gathered, along with letters forwarded by worried parents and schoolteachers, Nate didn’t believe the danger of Zachariah Rohim’s cult could long be ignored. He flipped a page. Ah, and there it was. Affixed to a large folder on his desk was the portrait of a handsome young man with a strawberry birthmark beneath his chin.
Missing for 3 weeks now, Steve Harris had vanished after football practice, poof, without a trace. A popular running back on the Landsmore High football team, his disappearance rattled the community and brought Gregson’s attention back to the Church. A good Christian all her life, she hadn’t approved of what she found in those bright, laminated pamphlets. She claimed something changed in him, as though he were dreamwalking.
After a couple of months he quit school and was working every day in the heat helping the Community rebuild Solomon’s Temple. The kid was last seen Lowry St, at the Chinese buffet, across from the road that turns onto Maynard. His mother called every day, every day more desperate than the last. Her only son. Her strawberry blossomed boy, there were long answering machine messages of Mrs. Harris, not knowing she forgot to hang up, crying and blowing her nose into the receiver.
The movement was Messianic, utopian even, led by a man hailed as a living Prophet, conduit to God, who speaks by inspiration. A charismatic, handsome man in his late 60s, Father Rohim was hailed as Prophet by adoring crowds. Droves of people, young and old, rich and poor, people from all walks of life abandoned their jobs, their studies and their families to join the Church of the Living God, to belong, to live the communal life. Documents in Gregson’s folders suggested the founder of the church was once part of the Unified Church of God some decades earlier in neighboring Irmo county. Apparently a leadership dispute caused a split between the supporters of Rohim and the former Prophet’s six year old son. Rohim was an opportunist at heart, and he made the most of what he had; nothing. Now he lived in a compound that was estimated to be some 15,000 square feet with hundreds of devotees, hands, eyes, ears.
Nate’s job was a quiet one. Not a problem, he wrote around in his junky Corsica, his first and only auto. He was parked at the end of Lover’s Lane when the call went out. He was able to break up a disturbance that left three people bruised and bleeding and sent three people to jail. Two were too young to hold, but the other was cuffed and hauled in. The man was silent for the short drive from Campbell to the Sheriff’s Department on North 15th.

First he was forced to provide his name, which he gave as Arthur Lindler. But he had no ID. Inside the jailhouse, deputy Sharon searched him.

“Looky here, Nat,” his secretary Susan pulled a yellow pamphlet from the man’s back pocket.

She passed it to Nate and he opened it up, thumbing through it. Poorly xeroxed and falling to pieces, block words across the front of the thin volume read A GUIDE ALONG GOD’S PATH.

“Oh ho,” Susan cackled, “ding, ding, ding! We’ve got jail-time.”

“Weed or meth?” Gregson asked.

“Not sure, but it ain’t fucking sugar.”

The young man was booked and had his picture taken. Susan let him smoke a cigarette before she made him take off his shoes, pants, and put on the orange pajamas. Nate wasn’t interested in a middle aged man with an eight ball of methamphetamine, but the zeal with which this man had acted; as though triggered from afar for a greater purpose. He didn’t look so holy in orange. He remained quiet for the rest of the night, and Nate left him there and headed home.

He spent a few days studying the homily. From what he could tell, the church’s energy came from an urgent need to perfect themselves as humans. Prophets appeared whenever humans were struggling, to call attention to the evils of the world, to usher in an era of peace.  Siddhartha Gautama the Buddha, Muhammed and Jesus were equal, and their message genuine; God spoke in the context of individual cultures. Jesus would not have been able to spread the way of righteousness to Northern India, so another prophet was sent; in al-jahaliyya, the age of ignorance, the Prophet Muhammed was sent from the one God, a serious point for Rohim.  founders of world religions had been prophets of the same God. Despite its melodrama, at the heart of it Gregson sensed the exertion of a great will, a passion and urgency uncommon in his experience. They quoted Suras and Sutras, the Rambam and Moses, the Zohar and Talmud.

The Church was not new to the community, not at all. Construction began when Gregson was still in middle school. On his way home each day, with his dad driving their Ford Bronco, he would look out across the lot at the bald men, the women clothed from head-to-toe in pastel cotton dresses. They worked without modern equipment, and Gregson’s father used to joke, “You’d think God would grant them power tools.”

In the years since the compound’s completion a lot had changed in Landsmore. An industrial textile mill on Central Avenue shut down, and investors and ready workers were quick to abandon ship. Gregson’s own mother, Virginia, a loomfixer and weaver at the plant, lost her job after 25 years of steady employment, six days a week, twelve hours a day. The economic distress was compounded by the swelling number of ever bored teenagers who, in Landsmore, had no access to entertainment; no cinema, no fast food joints, and with nothing to do, they found their way to Father Rohim’s compound.

“Crazy shit, ain’t it?”

Gregson sat at his desk in a converted closet at the back of his small apartment, looking over his files and spinning in his chair, unsure how he was to approach the case.  Higher ups at the Department were nervous about a potential Waco or Jonestown, so it was decided the lightest possible touch would be the best way to go. Rumors around the office suggested that Rohim already had one of his creatures on the town council, so secrecy was paramount. When in doubt, Nathan Gregson had always relied on his brother-in-law Matt. So he stepped over the scattered papers on the floor, dodged the piles of clothes, and picked up the phone.

Matt answered immediately, “Hello?”

Nathan could hear his niece and nephew laughing in the background. It always brought a smile to his face.

“Hey man,” he said, “I’ve been thinking…”

“Shit,” Matt said. “Here we go again.”

“…Shut up for once, you twat and listen. What’s the best way to figure out what a cult member wants to do, you know, how could one find out what Rohim tells his flock?”

“I don’t get it,” Matt said. Then, “Oh, you’re not serious?”

“Why not?” Gregson asked. “Best place to hide a tree’s a fucking forest.”

Matt cleared his throat. “You’re serious about this?”

“His mother calls me to cry,” Gregson said. “And when I don’t pick up, she’ll leaving crying on my answering machine, just to remind me we’ve — I’ve done nothing for her.”

Gregson heard a door shut on the other end, “Hold on.” Silence. Matt returned a moment later, softly, “Now,” he said, “what if you go in and can’t get back out?”

“I’ll create a situation wherein it seems absolutely beneficial for them that I get out.

It was a question Gregson had yet to consider.

“I’ll think of something,” he said, finally. “Regardless, if I don’t go today, I’ll go tomorrow.”

“Let me know when you decide,” Matt said. “And I’ll do my part.”

He heard his niece crying in the background. He missed her, plump and sweet, she loved her uncle Nate yes she did.

“I have to go,” he said.

“Tell Alice I love…”

Dial tone.

Gregson decided it would help his chances of being useful if he cleaned himself up a bit. Too claustraphobic for a bath, he took a bath in the sink. He soaked a washrag in soap and used it to clean his underarms and crotch, then washed his stomach and backside with soap and water. He had to part with his beard, however, and looked him over in the mirror. The sight of grey hairs wearied the young detective. The 29 year old would certainly miss his well-coiffed hair. A sturdy sort, and quite tall, Gregson had pale skin and large black bags under his eyes, which were shot and ringed pink from many a sleepless night. He lived in the Subertown Apartment Complex, not too far from the compound on Maynard Hill, in a row of identical looking townhouses. He packed his Topamax and Vicodin bottles inside his jacket pocket, not before taking his daily dosage, and sat on the front porch to get himself together. He looked at the row of houses across the street, covered in patches of sunlight. Some of those houses were falling apart and others had never been put together well enough o fall. He wasn’t outside long before the phone startled him and he ran back inside, throwing open his screen door.

“Hello?” he said, stepping over an overflowing trash bag.

“Detective Gregson?” said a familiar, sweet voice.

Oh no, he thought. Oh no.

“Yes, ma’am?” he said politely, grinding his teeth.

“Okay, now, I hate to bother you, and I know you’re working hard…”

“Yes ma’am, how can I help you?” “Okay I think Stevie tried to call me.” “You think he tried?” “There’s, look, there’s a recording on my answering machine. At first it’s just silence, okay, just fuzz but then you can hear people talking in the background. I’m sure it’s Stevie, but my hearing, it ain’t what it used to be I tell you that.”

“Oh yes ma’am… Well, do you think you could play it for me?”

“Oh yes sir Mr. Officer, I have it on my answering machine. I can put the phone up to it and play it for you.” “Give me a second,” Gregson said, putting his phone down. He pushed aside a stack of tangled cables and Beanie Babies and pulled out a two-way auxiliary cable. He plugged one end into his phone and the other into his stereo speakers.

“Alright,” he said, “play it.”

A plastic click, then static, before finally he could hear it in the background. A man was speaking, and — someone else was listening, someone younger. The older man’s voice was louder. Gregson put his ear against the speaker and strained himself to hear the rest. A young boy was being questioned but the words were unintelligible. And there they were. The flowing tears and wailing, begging like his life depended on it. A thud, then he screamed; Gregson could only imagine his mother’s horror. Another thud, sickening and empty, like a ham against a mound of dirt and the screams to follow were enough to chill the blood, to take one’s breath away. Sobs spilled through the speakers in high definition.

“That right there,” she said, “I know the sound of his tears.”

Gregson slammed the phone against the wall.  A short drive from his apartment in Subertown and the compound on Maynard Hill. A short drive from Subertown, Maynard Hill was on the outskirts of Landsmore, right on the county line. He did not think; he kept Steve’s picture, got his car, and pulled out of his drive with a squeal of his tires.

He stopped by Wilson’s to get gas, groaned at the rising prices, and went inside to pay. Gregson also bought a pack of cigarettes, though he had promised his on-again off-again girlfriend that he would quit–among other promises he had broken. He backed out of the parking lot and turned onto Sycamore Street, a winding road lined by small, decrepit houses with boarded up windows and high grass growing in the front yards. Passing by Park Street Elementary, he saw his former first grade teacher outside with a group of children. She waved to him as he passed. With a kind heart and patient manner, Mrs. Shealy was professional and kind, worried by the unease she felt among the students who remained at Park Street. In a town of 800 people, there were 37 churches and one poorly stocked library. Gregson never liked that metric.

Turning onto Central, he drove between the two large parking lots in front of the mill’s ruins. Bereft of vehicles the lots housed large stacks of salvaged wood and timber. The hulking ruin rose high into the air, a monument to the people who originally settled and built Landsmore. The old tower, a redbrick ruin overran by ivy and kudzu, surrounded the base of the ruin which was stark against the stretch of blue sky and white wisps of clouds overhead. Many of Gregson’s family members had worked there at some time or other; he remembered when his aunt Denise used to work there, sweet Denise with her powerful fragrance and bright lipstick. Any clothes found to be defective–with a misplaced or misspelled logo–made its way to the Gregson household, a gift to Nathan and his younger brother Christopher.

Nathan Gregson stopped at the bottom of Maynard Hill and pulled his car off the side of the road, into a back alley that ran from Lowry Street all the way back to Subertown, a shortcut he used whenever he went bicycle riding around town and a nice place to hide and have a beer and a smoke. It didn’t take him long to bring the car in, cover it up with limbs and leaves as best he could, and, grabbing a jacket, lock it up. He hoped it would be there when he came back. He lit a cigarette and took a pull, glanced up at the endless stretch of blue sky. He wondered if he was getting in over his head. Before leaving his car, he called his sister Alice’s phone. Matt picked up on the first ring.

“Again?” he asked.

“I think I’m going to convert,” Gregson said. “But if I don’t do it now, I’ll change my mind and nothing will get done. It has to be done now. If you haven’t heard from me in six months, try to find me. Make sure you the Chief – and the Chief only that Daniel Miller’s ID and backstory needs activation. That way, if they look me up, they’ll find a repeat offender and drug addict.”

“You sure you can pull that off?” Matt laughed. “Alright, alright. If you must…”

“Listen to the recording, man,” Gregson said. “Whoever that was…”

“What recording?” he asked.

“Ah, the football player’s mom. She has a recording I think you should hear. Those sounds, that voice… “I have to do something. Look, if we don’t deal with it as a sapling, we’ll have to cut down the tree eventually.”

Matt was quiet, shocked at Gregson’s.“And don’t say anything to Ally,” Gregson said. “I don’t want her worrying about me.”

Matt sighed, and was quiet for a moment. “Alright, brother. Be careful, you hear? What should we tell She-who-must-not-be-told?”

“You’re her husband,” Gregson said. “You should know how to tell a convincing lie by now.”

“She’s too smart for that shit,” he laughed, but grimly.

“Take care of her, man. She’s an ass but I love her.”

“You know I will, brother… Just…just take care of yourself. Here she is.”

“What do you want, Nate?” Alice picked up.

Nate could hear her shift the phone from one ear to the other. He forced a laugh.

Gregson bit his lip. Tears welled up in his eyes. He wondered when he’d see her again, or his niece Samantha, his nephew Xavier. The thought was too terrible to consider, so he shook it off. “Hey, Ally. I’m going to be out of town for a while on a case. Can’t say much about it… I just wanted you to know that I love you. Tell our mother I love her when you see her. And give Sammy and the little professor a kiss for me, and tell them their uncle Nate loves them very much.”

There was alarm in her voice. “What’s wrong?” she asked.

“Nothing,” Gregson said, “I just don’t know when I’ll be back in town…”

“You’re not telling me the truth,” she said. “I know you, and I know when you’re lying.”

Gregson laughed. “Let’s just say, as it goes, I might as well be out of town. I’m working a case, Alice. I just wanted you to know I love you.”

He turned the phone off and closed it. Turning it over in his hand, Gregson wondered if he could get away with taking it inside the compound. Would they torture him, evict him? With no other way of contacting the outside world, he decided to take it in openly, nonchalantly, and hope he didn’t get caught.  This came as something of a relief, as he only knew one way of sneaking a phone inside. It took him a few minutes to go through his phone and delete his contacts list. Though he was quicker to act than to think, Gregson was loathe to put anyone else at risk for his own stupidity. Before leaving his car, he made sure all the doors were locked and took another Vicodin. He looked at the pill bottle, then a ridiculous notion came to him. He slid the cellophane off his pack of cigarettes, poured half the remaining pills into it, and used his lighter to seal it up. Next, the embarrassing, uncomfortable, but necessary part. Gregson refused to risk a cold turkey situation surrounded by religious zealots. Sobriety was bad enough without waking up at 6am each morning and being lectured.

From there he walked the rest of the way up the steep incline of Maynard Hill which aggravated his old knee injury, making each step more painful than the last. Pills rattled in his pocket as he walked. When he emerged at the top of the hill, the compound, which consisted of several buildings, blotted out the sun. At the end of the lot was a high bell tower, and a high fence topped with concertina wire surrounding the compound. Comprised of two large buildings, housing adults and children, a playground and walkway leading up to the sliding, padlocked fence. Inside he could see seesaws and slides, jungle gyms and monkey bars.  A long patch of earthen mounds rose up at the edge of the far end of the fence. Beside the building was a long, cobblestone walkway beneath an aluminum awning, which stretched some 35 feet from the fence to the door.

He took one last hit off his cigarette and flicked it to the ground as a young man with a smooth face and awkward smile approached him from the other end of the playground. Looking up and around him, Gregson would not have believed how massive the compound was; it took the young man quite some time to make it to the fence, where he stopped on the other side and glared at Gregson through the chain links. Gregson tried to make some mental notes.

“Is there anything I can do for you, sir?” he asked.

Gregson affected eyes full of tears and put on his most solemn expression. Then he withdrew the pamphlet and held it up. “I didn’t know where else to turn,” he said, wiping a tear from his cheek. “I thought the Prophet might be able to help me get my life together.”

The man on the other side of the fence smiled and gestured at a figure in the tower. A moment later the fence, its prominent bars glinting in the midday sun, began to creak and open. Gregson allowed himself to smile as he passed inside, onto the well trimmed grass of the Church. The man, pale with light blue eyes and a bald head that caught the sun, embraced him and held on tight.

“There’s nothing to worry about anymore,” he said. “I’m Samuel. Welcome to the community, Brother.”

With another gesture Gregson turned to watch the fence slide to a close behind him and clang against the metal post.

“Right this way, Brother,” Samuel said. “We’ll get you cleaned up, and then I’ll take you to see Father Rohim.”

“I’ve always wanted to meet a prophet,” Gregson said. “I have so many questions.”

Signed as finished 27 March 2019,
Author signature: Brandon K. Nobles

Editor signature:Fredrika McQueen




SAMUEL LED GREGSON INTO A SMALL OFFICE LIT BY A CRACKLING FIRE, surrounded by four, cheap walls that seemed to have been thrown up in a hurry. The whole compound had a hurried look to it, as though put together in haste. Out front was the belltower, which attached to the sermon hall. The walkway leading to Samuel’s office took them beneath an aluminum awning. The carpeting was brown and rough, stiff and scratchy. A single coat of beige paint covered the rough sheetrock walls. A large oak desk was in the center of the room, beneath a rattly ceiling fan and naked bulb. Pamphlets quite like the one Gregson found on the delinquents earlier in the week were spread across his desk.  In the center of the room was a tidy desk, on top of which were a number of brightly colored, laminated pamphlets. A row of gilded crucifixes hung on either side of a large portrait which depicted an elderly man, thin of hair with a prominent nose. Though it was not the photograph on file, Gregson was certain the airbrushed photograph was the Prophet himself. Songs came from beyond a doorway to Gregson’s left, laughter and muffled voices.

Despite the ceiling fan the room was hot and stale. The air was heavy and thick, with an unpleasant chemical smell about it. Might be the paint, Gregson thought. Samuel seemed inattentive, as though something much more engaging was going on just beyond the door to the adjoining room. He kept looking from Gregson to the door and back again, as though he were in a hurry to have him sorted. Daniel’s heart thundered against his chest like a clapper against the bronze shell of his ribs which rang him like an unwitting bell. His stomach turned and knotted but he tried to keep the same, eager expression on his face. Samuel was a professional and his wide smile and large, unblinking eyes never flinched. The mask, if it was a mask, had fused with his face until whatever was once there had been replaced, a tailor made personality gifted him by a master forger.

Samuel cleared his throat and adjusted himself in his chair, weary of the stranger before him. It was rare for people to just show up at the compound; especially on their own. In Samuel’s experience, conversion was a family affair. He looked Gregson over for a moment before asking, “What makes you want to join our community?”

“I just feel so lost in my life,” Gregson said. He relaxed his face on the cusp of his hand. “I’ve lost my girlfriend. I don’t have a job. And I was going through this pamphlet and noticed that you offer counseling for people struggling with addiction… ” Then he burst into tears. He wondered what his father would think, now that he put those years in theatre to use for something important.

Samuel’s eyebrow rose but the wide-eyed stare and plastic smile did not falter, and the face as it was unto blown glass did not slip. An ill-fitting sort of mask, and eyes that made Gregson shift back and forth in the hard folding chair. He nodded pensively, “Mhm,” he said, “the people within these walls come from all walks of life, rich and poor, black and white. Many of the young boys here were once orphans, until Father Rohim his name be praised offered them a place to realize their potential. An outlet for their energy, a purpose.”

Gregson nodded. “I feel like I’ve just drifted through life,” he said. “From one thing to the next, without leaving anything behind. Like a ghost that has no one to haunt, and no reason to linger…”

“Yet it does.”

Gregson did what he could to hide his surprise. “Exactly,” he said. “I’ve never been much of a believer…”

“Look, Mr…?”

“Daniel,” Gregson said. “My name is Daniel Miller.”

Samuel stood and crossed the room, taking this somewhat amiss, as he put his arm around Daniel’s shoulders. Daniel Miller was an identity he was given on an undercover case some years earlier, when he tried to bust up a methamphetamine ring operating out of Landsmore. Since the cover had never been blown, and those he hunted down were now behind bars, Gregson–Daniel Miller–thought it safe to use. The idea of his real name becoming known made him shiver.

“Relax, Brother Daniel. You’re okay now. First, before I take you to see Father Rohim, would you mind emptying your pockets?”

Daniel stood and slipped off his coat, passed it to Samuel. He hung it on the doorknob. Then he placed the bottle of Topamax on the table, followed by his near-depleted stash of Vicodin.

“Like I said, father, I’ve fallen on bad times…drugs, hopelessness…I never see my daughter anymore…”

Samuel took the bottles in hand and looked them over. “Do you have anything else?”

A shot of panic ran through him as his mind kicked into high gear. What about the phone? He wondered. If he gave it up now, and things went south, what would he do? Who would he call? But he acted quickly and took it out of his pocket. “I would like to keep in contact with my daughter,” he said but handed the phone over nonetheless. “And the Topamax, I have to take that each day along with a meal. That other stuff…” he gestured to the bottle of Vicodin, “that shit gives me the strength to keep digging a grave I’m afraid to get into. Life’s too painful to live, and I’m too afraid of dying to off myself.”

“Oh my dear Mr. Miller,” he said. “I do hope Father Rohim will decide in your favor. Now,” he took a leather satchel from a drawer in his desk, “I’m just going to put all this in a bag. If it is decided you will join The Community, you will have your property returned to you.”

This surprised Gregson. He was sure, as he walked the steep hill up to the compound, that his possessions would be confiscated on arrival. To be fair, he thought, they were – but the hope of having his phone returned kept him cheerful as his last dose of Vicodin–along with what he could stash elsewhere–began to work its chemical magic, relaxing his nerves as a wave of warmth fell over him like an itchy blanket. He shifted in his seat at the prod of the pack of cellophane hidden in his rectum, filled with enough Vicodin to get him through a potential cold turkey situation. Every time he shifted in his sheet, he regretted sticking the sharp plastic in his ass. What would mother think? He wondered. Shame rolled over him in waves. He missed her, and he decided if he ever made it out, he would make things right.

Samuel placed his belongings back in the top drawer, locked it. And, to Gregson’s surprise, he returned to his seat, pulled out a clipboard and pen. He cleared his throat.

“Before I give you a tour,” he said without looking up, “could you answer some questions for me?”

Sweat beaded down his forehead and anxiety overtook him, the chest pain, the sense of impending doom, the feeling that he stood on a high ledge and could do nothing to stop himself from either falling or flinging himself over. He stuttered, “Sure.”

He had a good idea of what Samuel intended to do; he would ask around about a Daniel Miller and, if all was still in place, and Matt had done the right thing and got off his ass, it would all check out. Hopefully, Gregson thought, Sheriff Epps had not been compromised. Landsmore was an island amid forests, surrounded on all sides, and if Rohim infiltrated the Police Department, it was possible that he could take over the entire town. Samuel called his name again, and he realized he had not answered to Daniel when first called.

“Sorry,” he said, clearing his throat. “I’m just nervous. I don’t know what I’ll do if you don’t take me in…”

“I understand,” Samuel said. Big smile, hollow eyes. “Now, shall we?”

Gregson leaned back. “Alright then, go ahead.”

“What’s your date of birth?”

“April 17th, 1989.”

Sam scribbled something down.

“Your father’s name?”

“Henry Miller.”

“And your mother?” he continued writing but did not look up.

Gregson hesitated. “Linda Miller.”

“How did you come to hear about us?”

“I’ve read your pamphlet, and talked to a missionary the other day.”

“Some of our more recent converts,” he started, “are a bit, how do you say, enthusiastic. One kid came in a few weeks ago, nothing but skin and bones. He was living under the bridge, shooting meth and stealing to feed his addiction. But here, with the help of an extensive family and support network, he’s been clean for two weeks and has become a valuable member of the family. I understand their zeal. It can be overwhelming for someone who has been shunned for their entire life, or someone who has gone through a painful divorce, lost a friend or loved one, to find support and friendship, and in doing so they come to know the love of God.”

Gregson nodded. “I’m sorry if I implied…”

“That’s quite alright,” Sam said. “Any allergies, food or otherwise?”

Gregson gave him a rueful smile. “Yeah,” he chuckled. “Strawberries.”

Samuel looked at him from behind the clipboard. “Really? Strawberries?”

Gregson shrugged. “I told you, I’ve never really been a believer. After all, what kind of loving God would sentence a man to death by strawberry?”

Samuel laughed an eerie, affected laugh, as though he was attempting to imitate human behavior he had but read about. He finished scribbling and then tore the page off the clipboard and filed it away inside another desk drawer. “You know,” he said, standing. “My mother told me once, that we should not curse God for what he does not allow. Rather, we should praise God for what we have. You may be allergic to berries, Brother Miller. But the air, however, is free.”

Gregson had never thought of it like that, but the notion appealed to him.

The noise from the adjacent room rose, ever more ebullient and effusive, happy even.

“I think that’s all for now,” Samuel said. He put his pen and clipboard away. “Now, since Father Rohim is deep in prayer until noon, I can show you around in the meantime, acquaint you with some of your future brothers and sisters?”
“I always wanted a family,” Daniel said. “Please.”
The room adjacent was wide and spacious, comfortable and fragrant. Potted plants and vases adorned the walls and expensive cabinets were installed above the stove. There were three women there, Ethel, 59, and her two daughters Lindsay and Lauren. A long couch wrapped around one side of the room, and they each sat beside each other, close and intimate. A fireplace in the middle of the room had a grill over it and the air smelled of grilled cucumbers and squash.

When they noticed the newcomer, Lauren, less cautious with Heretics than her sister, approached the New Brother and embraced him warmly. Her sister, who, with fair hair and bright pink cheeks could not be more different than her sister. While Lindsay remained stand-offish as Samuel introduced Brother Daniel. Ethel, a former shift manager at the Mill looked at him with searching eyes. Gregson panicked. He knew her; not long after the jobs were shipped out of town, a riot broke out among the workers who refused to turn over the last of the material products. The police were called out and, Gregson being a ride-along gopher then, stood outside as the tear gas flew, as the workers choking eyes watering finally gave in. Gregson gave her a bottle of water. Those eyes, though, intense and wide, gave no hint of recognition. Her toothy smile and maternal manner was genuine and, when she called Daniel son a part of Gregson felt loved. The walls were painted baby blue, adorned with billowy clouds and the sun and stars. In the corner, next to an empty door frame which led off into a narrow pantry. A tall bookshelf covered in dusty volumes stood in the corner, stack with obscure volumes by God knows who.

Everything was clean. No roaches, no trash, no dirty dishes. Ethel was quick to offer Gregson a cup off coffee and something to eat. The sisters, 15 and 17 years old respectively, wore long cotton dresses. Their hair was curled into a high coif at the top of their forehead and tight french braids ran down their backs. Daniel found them charming and enticing, smiles as bright and pure as the driven snow, sparkling wide blue eyes.

“Ladies,” he said, “this is Mr. Daniel Miller. He hasn’t met with Father Rohim yet,” the thin, pale man gave Gregson a terse smile, “but I think we can go ahead and welcome him to our family.”

The elderly woman was quick to stand, smooth her dress and approach me.  She pulled Gregson into a bear hug, her heavy bosom pressed hard against his chest.  “It’s so nice to have you with us,” she beamed. Still blessed with beauty and a quick charm, Ethel was shrewd and attentive. She watched her daughters with the precision of a security camera, especially when they got too close to the Stranger. Despite the relative comfort, Gregson sensed something amiss. A tension, an expectation lingered in the room. When the chorus of bells smote on the afternoon air the brothers and sisters near jumped from there seat. The bells banged against each other and the notes rang out, tied to a foot pedal that allowed for the notes to be held. Sam took Gregson by the arm, and Daniel was eager, near ecstatic to meet Father Rohim.

“What now?” Daniel asked.

“Just follow me,” Sam said. “His Holiness will want a glass of milk, and on my way I’ll introduce you. You tell him your story, and I’m sure he’ll do all he can to help.”

Samael put his hand on my shoulder and I near jumped out of my boots. “Come,” he said. “His holiness will explain.”

Before I could back away I felt something slip into my waistband. I did nothing to draw attention to it but hid it away quickly.  “Anyway,” I said, finally moving away, “It was nice to meet y’all.”

“Right this way,” he said, leading Gregson from the room. He was down a cement flight of stairs and passed a row of doors along a long corridor. Every five feet there was a door, and halfway to the end of the hall, Daniel was told, was Father Rohim’s private chambers. There he prayed and wrote his sermons. As Gregson passed the cheap doors in poor frames he could hear young girls talking to one another. The first ten rooms, on either side of the hallway, were the female dorms; girls lived with their mothers, sisters, aunts and nieces; young boys, halfway down, likewise lived with fathers, brothers, uncles and nephews in identical rooms, with up to five people packed in a singular room no bigger than 12 by 12 feet.  A thick pallette covered the floor and a long table was pushed against the wall, where they studied and learned to read and write. The girls learned to cook and sew, how to keep house.

The pair stopped outside Rohim’s door. Gregson wished he could sneak another pill, but he decided he would attempt to look at life there at the Compound from the perspective of the people who came looking for something; what someone forget, he knew, is that reasonable people end up in restrictive, controlling cults before they know it, seeing the revered figurehead as their totem, the figurehead of power that represented the shedding of their own weakness and lack of purpose, which Father Rohim dutifully supplied.

“Wait here,” Sam said. “I will announce you.”

“Yes, sir.”

He looked into Daniel’s eyes, as though he was, through the optic nerve, peeling Nate apart, layer by layer, scratching at the inauthentic eyes staring back at him, the faux smile that did well to deceive. But, when he came out and opened the heavy door, creaking as it swung on rusted hinges, he warned:

“Just don’t lie,” Samuel said. “He’ll know.”

Gregson decided it was best not to respond; nervousness was natural, no reason for them to suspect subterfuge. Sam leered at him a moment, “Good luck, Mr. Miller. And God bless.”

Samuel tapped each door he passed, rapped against it once, and walked to the next door, knocked and repeated until the halls were filled with two rows of people on opposite sides; men lined up and halted until their female counterparts departed. Strict rules were in place to keep teenage boys and girls separated. When the dorm rooms were empty, a man with a large belly and broad shoulders went from room to room with a cleaning lady, pushing a cart. Gregson swallowed in a dry throat and grabbed the door handle. It was hot to the touch.

I can do this, he told himself. Deep breath, deep breath. His backside had started aching and the pressure mounted. Suddenly he turned the golden knob and stepped inside. Silence greeted him on the threshold and cold air greeted him. The heavy door closed behind with a quiet click behind him.  The room was lit by scattered candles, gaslamps on coffee tables and stools, tables covered in books and papers. A mantlepiece above the fireplace was lined with antique books and dusty volumes. Featured prominently above it was a large, framed print of Caravaggio’s painting of Abraham and Isaac; Isaac, a child with a hair of curls, face frozen in horror with his face pressed against the altar; to the left, an angel stayed the knife in his father Abraham’s hand.  

Hunched over the fire with clasped hands, the bones in his spine, each lumbar could be seen sticking up along his spine like a scaled reptile, a lizard with proper posture and comportment. Rohim wore a beggar’s robes, and a ritual tefillin, a black leather strap wrapped seven times around his wrist and forearm. His eyes were alert, but yellow and rheumy; his fingers gnarled and spindly, like spider’s legs, and his large head nested between two shocks of stringy white hair above his ears. A fragile figure, his small frame, spindly arms, and visible backbones belied the force of character within.

“Come now,” said Father Rohim, “let us speak, son.”

Completed 2ND CHAPTER – as far as I know.

Author signature: Brandon K Nobles
Editor’s signature [sign when complete, Fred]


As he got closer to the thin figure in his oversized mantle he saw a knotted forehead shiny with sweat and a prominent nose, sharp deep set eyes and grandfatherly smile. Rohim had a handful of peanuts and cracked them in his hands, tossing the shells into the fire. He handed Daniel a pecan balance on the end of a knife glinting in fire light.

Zach took the time to look me over, top to bottom, as I approached. He smoothed back his wild hair, balding as he was, and leaned back. He took a handful of pecans from a low table behind him and began to crack them in his hands, tossing the shells in the fire. He offered me a fresh pecan.

“Thank you.” I said.

“Please,” he said. “Sit down.”

I took a seat in a ragged wooden rocker beside him, a bit too close to the fire for comfort.

“Are you comfortable?” he asked, looking at his pecans. A bit warm, I resisted the urge to slide away from the fire. He was quite close to it.

“I’ll be fine,” I said.

He smiled. “Have you ever been swimming, son?”

Zachariah looked at me like he saw past me, no skin, just a brain and heart sitting before him, suspended on a tuft of air.

“I did,” I said. “Yeah, when I was growing up.”

“Ah, as did I,” he nodded. “I remember standing on the deck at my aunt Maria’s house. Everyone shouted, “Jump in.” It was a warm summer night, and the air felt good against my skin. The water, it was ice cold. I dipped my toe in, and recoiled. But, Henry, my youngest brother, he pushed me in and laughed.”

“I’ve pushed in many a younger brother,” I added.

Zachariah smiled, cracked open another pecan. “And of course, I hit the water and could swear steam rose off the water, like breath in the winter. I must’ve been cold for 15, 20 minutes before, gradually, the water warmed. The temperature did not change, mind. Thirty minutes later, I splashed about, having a good time. Now, here’s what I find interesting. When I got out, the air was as cold as the water had been, and again I was freezing, so I jumped back in for warmth.”

I nodded.

“The temperatures did not change, friend. I did. That there’s interesting to me.”

He handed me a fresh pecan. “Are you too close to the fire?”

I took the pecan, “Thank you, no. I’m comfortable.”

He leaned back in his rocking chair. “They call me Zachariah because they can’t pronounce my name without spitting,” he laughed. “You know what they say, Yiddish is German with more phlegm.”

“Are you Jewish?” I asked.

He looked at me with a knowing smile. “My grandparents were Polish, but my family has been in this country for a hundred years. I have many brothers, many sisters, baruch Hashem. But, if you are asking if I keep the Law, yes sir I do.”

“The Ten Commandments?”

He laughed, shook loose the cracked nuts, and stood. “Come,” he said, limping. “The mitzvote number some six-hundred plus, if memory serves. But, we all fall short. We are not commanded to be perfect, son. Only to try.”

“I’d like… to ask you a few questions, holiness.”

He paused at the edge of a fine laquered table, leaned against it. “Anything you’d like, son.”

“What’s with all the crucifixes?” I asked.

He turned his back and started speaking.

“Have you ever considered, or even thought about, how many prophets, saviors, messiahs and enlightened ones have lived in human history? Majavera, the prophet of the Jains…” I stood and slid the listening cross from the cuff of my jacket and placed it behind a row of books atop the mantlepiece, beneath the line of figures in cruciform.

“To this day, they refuse to kill anything. Any thing. They wear surgical masks and sweep the ground before them as they walk, all to avoid the harm of any creature’s jiva, or ‘divine spark’. They drain their water to ensure nothing is accidentally swallowed. They treat mosquitoes better than some men treat their fellows…”

Moving as he spoke, Zachariah turned on a lamp in the corner of his room. “Many of them, more often than not, arrive at a similar, culturally applicable code. The men, the women–the prophets and prophetesses, they rise in times of spiritual need, in times of despair and want. Not to give everyone what they want, no, but to show them how much they already have, and how valuable it is.”

I nodded like a fool, entranced by this feeble old man. I began to understand, so I thought, why so many might find comfort in this convent, with such a leader. That was also his danger, this ability to get one to drop one’s guard, only then to slither in like a botfly, in the ear, which eats away at individual thoughts one by one before they’re eaten up, before it bursts out leaving behind nothing but hollow men.

“Tell me about the hollow men, holiness,” I said. “Is it literal? Figurative? Should the town be worried?”

“No, sir,” he said. “Come, let’s have something to eat, and we’ll talk. I’ll answer all your questions.”

At the far end of his private chambers was a heavy wooden door which led out into a large kitchen and cafeteria. Long tables stretched out from one side of the room to the other, the floors coated in shiny yellow linoleum, the food counters of stainless steel. Behind the counter was a large storage room, full of canned goods, cornmeal, potatoes, tomatoes, grits, and breadcrumbs; a gala of soups, tomato, clam, chicken. Zachariah walked behind, head downcast, looking at the baskets of fruit and whistling. A line of women with hairnets and rolled up sleeves stood behind the countertop, ladling gravy onto a yellow tray of mashed potatoes,  fresh pear slices, and, when I arrived at the front of the line, a glass of orange juice and a warm smile.

“There ya go, hon,” she said.

“Thank you, ma’am,” I said.

“Thanks, Beatrice,” Zachariah said, “You have a jar of olives?”

“One second,” she disappeared behind the counter. A moment later she rose up, exclaiming, “Here we go!” She passed a jar of olives to Zachariah. A smile crossed his face. “Thank you.”

He looked back to me, “Shall we?”

We went to one table amid many, with round stools attached by aluminum pipes. Sturdy, hard plastic seats, not as uncomfortable as they looked; we sat down and he bit into an olive. “I’ve always loved olives,” he said. “Please, son, enjoy your food.”

The lunchroom workers shifted into high gear; they turned on pots, boiled water; others shucked corn, prepared baby formula and Gerbers softpeas. A loud clang as double doors opened at the other end of the room and multitudes of robed men, the acolytes, all having shaved their heads as a sign of devotion. Behind them followed the women and children, in step, in sync, by mood and will. “Unity must be of purpose,” Zachariah said. “All other unity is artificial – race, nation, party – if they are not of the same purpose, it is folly; they will pull themselves to pieces, and unravel like a ball of twine when the fervor of the moment passes. Here, we have unity of purpose, common interest and a righteous cause.

“All of these people here chose to be here, to recognize their potential, and are free to leave at will. Do you know how many of these people roamed the streets like strays, sleeping beneath bridges and eating out of dumpsters before they found their way here? Discarded by their families, their churches, especially when the mill shut down; that’s when they flooded in. Some were petty criminals, breaking into houses and selling their plunder. Some were tender hearted people the world had no trouble grinding underfoot. ”

I chewed with my mouth shut. Always a gentleman, I dabbed a heavily starched napkin at my lips and set it aside. I pushed away my plate. I reached into the inside pocket of my vest and handed the Prophet the picture of the widow’s boy. “Have you seen this young man?” I asked.

He looked at me with a stern, thoughtful expression. “When people come here, they wash away who they were. If this young man entered, he is no longer here.”

“Nah, that doesn’t work for me, see. Now, I respect your operation here. Poor people, orphans, they need to be fed. That’s charity. But when they come into my city and scare my people, then we have a problem, when hollow men are loose in this town, well, I need to know what that means.”

Al-shabah,” he said. “It’s Arabic. Think, we have words for spirit, for ghosts, but not quite for this concept. It literally means, ‘Dead but still walking’. It refers to someone who, without passion or fervor, watches life pass them by like the seasons; they consume, led by their nose, by their lusts, their greed and ambition. The hollow men have nothing left but need, and are strung along by their desire like a fishhook in their mouth, dangling as a catfish hung on the end of a fishing rod. Now, I have time to give you a brief tour before the sermon…”

“I’d like to find…” I raised the photo again, “this young man. Holiness, you won’t believe how many calls I get over this one young man. People are worried. So, how about you let me see him, I take back a message to his family maybe, and we can let this last disruption slide.”

Zachariah looked past me, as though there was a whole dimension just over my left shoulder. The clanking of spoons and plastic trays and muffled talking filled the room, the discord of cutlery and heavy smell of rye. Many of the acolytes, I noticed, took but a bowl of rice and sat, legs crossed, beneath a fire above which, in elegant folds of royal purple, bore ever more ancient script.

I drank the rest of my orange juice, “Look, holiness, you seem nice enough…”

“I’m just an abbot, a rasul, a slave of God.”

“Fair enough,” I dabbed the napkin at my mouth again. “Now, think you could show me around, see if we can find a young bald man with that–” I tapped the photograph with my index finger, “–that pattern of birthmarks, a little constellation of moles on his upper cheekbone, there? You see that?”

Zachariah nodded. “Come, I’ll show you around, and, though you won’t thank me, I’ll show you what we fear.”

A woman with her hair pulled back in a sporty ponytail, pale pink lips and green eyes approached the table. “Did you enjoy your meal, sir?” she asked. She had the same intense glare in her eyes, happiness in her bearing.

“Yes, thank you, ma’am,” I said.

She was quick to take our trays, bow to Zachariah, and head off. “That’s Bea’s daughter, Liza,” Zachariah said. “Sweetest girl you could ever meet, and a wise friend.”

He struggled from his seat, and Samael, at the back of the lunchline, hurried over to meet us and help His Holiness get to his feet, steadying himself on the handle of a polished walking stick. Samael greeted me with a smile, with those bright eyes, almost eerie, the eyes of a two-way mirror. Being there started to make me nauseous, and I lacked the nerve to really push my case. I wondered whether I should give Zachariah the confessions of Lauren, and reveal the note stuffed in my waistband while in the nursery. How many more had plastered masks with happy smiles and blank looks affixed to a frightened animal below, unable to summon the nerve to pass a note, to climb the fence and try to crawl over barbed wire to freedom, or to risk the man who stood vigil at the guard tower.

We left the cafeteria, alighted onto a cement walkway that led to another building, grass on both sides of the path, hedges and potted plants, fragrant and lovely in the sun of a waning day. I checked my watch, nearly 1500; I’d have to get the taps in place, a place where they could pick up the most information, with the least amount of risk of being found. I paused, leaned down to tie my shoe and slid the last crucifix from my shoe. A small thing, it would be inconspicuous enough. I put it in place above the arch leading into the cafe in a quiet, quick motion. Zachariah limped forward with the help of his cane. I hurriedly placed the cross against the vinyl just above the door, the gathering place where the acolytes and nuns stood waiting on their meals to be prepared, where priests and acolytes with censers lined up and chatted before they dined.

Zachariah led me up a flight of stairs onto a long porch, covered in planks of wood with, as of yet, no varnish. “Be careful now,” he said. “We just finished laying these, and I’m afraid you need to watch out for splinters.” Inside, the doors opened up to wide, empty space, with tables covered in building tools strewn about the room. Workers hammered away at a picture, raising it above an office just to our right. A stairway to our left circled upward, “That’s where our new dorms are going to be,” he said. “We’re starting to get crowded, and here’s where we’ll start our first school. Here we’ll teach the children how to read, how to write. Teach them kindness, and compassion.”

“And teach them about the evils of the world?”

“Follow me,” he hobbled away, turning around a corner of naked sheetrock.

He led me into a hallway with a window that peered into a room of tiny beds. “And this will be our nursery,” he said. “Lauren, one of our newest converts, is expecting. By the time the child is born, we’ll have a dedicated nursery; an on-staff OB and pediatrician. Our on staff doctor…”

“I’d like to have his name, please,” I said. “Before I leave, of course.”

Zachariah smiled, “Of course.”

Drills whirred as we talked, hammers rang against walls, the grunts of manual labor and men talking came from down the hall. “But come, we can finish our interview in my office, and from there I will see you out.”

“I’d like to see Lauren,” I said. “To congratulate her, holiness. Before I leave.

When my sister’s son was born, you couldn’t keep me away.”

“No kids?”

I shook my head.  “Separated.”

“Something troubles you, I can sense it,” he said. “What was her name?”

His eyes focused on mine, piercing and alive, but his gaze was distant, hypnotic and unwavering. While his manner and bearing was soft, fatherly, and his frail frame and grandfatherly appearance made it easy to confide in him, thinking without doubt that he could understand.

“Just regrets,” I said, “too many regrets.”

“Everybody has regrets,” he said. “Perhaps that is why you slump, son.

Because you have a giant key in your backpocket.

“I ruined the best thing that ever happened to me, as I always do.”

He placed his hand on my knee. His eyes glazed over with a film of tears. “What

went wrong?”

“It was an accident, I tell myself that, but it is also true I met her by accident. I was writing a book, long before I took the police exam. I had tutored math and physics in college, so I decided to write a history of classical physics, from Ptolemy to Niels Bohr, and I tried to message someone else, but messaged her by accident. I mistook her for her sister, since I didn’t remember her name. Me and her sister were the same age, in social studies together, and I mistook the two. She answered enthusiastically about my work. We had a lot in common, immediately. Within weeks we talked on the phone for five and six or even eight hours, all day every day we talked.”

“Sometimes to appreciate the loss, we have to work our way to a solution, to make things work out for the best.”

“There’s no going back, holiness. There are lines not meant to be crossed, and I crossed more than my share. A great sin… a sin.”

“Start from the beginning, son.”

“We talked over the internet for a while, wrote poetry with each other, made love and loved each other. Before we ever met, we were best friends. The first time she came to see me, she got out of her SUV and, I still remember the first thing she said to me. ‘Damn, you are REALLY tall.’ Not much of an achievement, really. I spend a lot of time by myself, so I was kind of shy. I mean, I’m reasonably clever, I think, but I’m not an underwear model. But, she sat close to me. She smelled warm, if that makes sense; she had olive skin, a regal hauteur, a royal Italian beauty. A smile like a string of pearls, I was in love. I just didn’t know what to do. I held her hand. We were sitting on a couch in my room, a studio apartment, watching King Lear. Halfway through it, where the King is so pissed off he’s yelling at God, with no one there to save him but his fool, she kissed me and I kissed her. It’s hypnotic, to fall in someone’s arms, you risk not getting out. Problem is you risk getting thrown out too.

“We saw each other off and on and talked for hours on the phone. I wrote her poetry, as though I were some bard, some troubadour from chivalrous times, a song for Isabella, songs of his fair lady. I just had very little money. Her father–now this is..” I broke off, wondering how he’d manage to get me revealing so much, so quick.

“Don’t be afraid of the fire, son. You might have to walk through it, as Dante did. You can be who you want to be.”

“Not without her.”

“What sin have you committed my son?”

I fell open again, wanting to confess. “I broke one of the Commandments, holiness. Thou shalt not steal.”

He nodded simply. “Ah, yes… Did not the Messiah Yoshua allow breaking commandments in the service of the holy? It is written, ‘When the trumpets sounded, the soldiers yelled, at the sound of the trumpet, when the men gave a loud shout, the wall collapsed; so everyone charged straight in, and they took the city. They devoted the city to the Lord and destroyed with the sword all living things in it, men and women, young and old, cattle, sheep and asses.’”

“It was not my conquest, to take the holy land. I harmed the innocent, holiness. It had no purpose, nothing but to satisfy my debauchery.”

“What is it you have done, my son?” he leaned over and put his hand on my knee. “Confess, and let this weight be off you. Our purpose in life cannot be realized with the burden of Atlas bearing down on us.”

At the time I did not realize how weird it was; he was able to instantly win my trust, make me feel safe and understood, to bring out ideas as I thought them. I did not realize at the time how this type of initiation unto control worked. But, in the moment, I confessed to him my crimes, weeping and sobbing.

“I spent the night at her house, to work on a story. It was the first time I ever got to go in. She had a bottle of whiskey, and her kids played with her cat in the living room, and on our way there, I lost my laptop. I was in a hurry and nervous and left the satchel on top of the SUV, never saw it again. When we found out, we tried to go back to find it. I made a few phone calls, had two friends go walk by my house. Both said it was gone. My medicine was in that bag, my drugs. I needed them to work, to function. And when I lost them, I stole her children’s. First his cough syrup, then her ADHD meds. She had to call the teacher while I stood there drowning on dry land; that’s regret, it’s how a man can drown without getting wet. We spent the night having the time of my life. Eating Chinese food, and I helped her kids with homework. It felt like everything came together in perfection, my life was worth living, there with her and when she finally went to sleep, I stole from her children. Kids I love. Kids I miss… She was the only star in the sky, holiness, she was holiness, a gentle rock and romantic friend, wise and funny, strange and singular, in a word – heaven, nirvana, the lap of God, and I slipped. I’ve been falling since.”

I was crying then. The effect such conmen have is subtle and, strangely, makes the victim volunteer such private information.

“In John 7:53–8:11, we hear tell of the woman taken in adultery. The Pharisees bring her to Jesus, Hoping to catch him in a trap they ask what should be done. Should the Law of Moses be obeyed, or should Jesus contradict his own teachings on forgiveness? Well, he has a way out. He kneels and begins to write upon the dirt. He famously says, ‘Let he who is without sin cast the first stone’. And, gradually, as he writes, people begin to back off. When he looks back up, everyone is gone. Everyone but the woman. He says, ‘Is there no one left to condemn you?’ She says, ‘No, Lord.’ He says, ‘Neither do I condemn you; go and sin no more.’ And, Nathan, I condemn you neither. Go and sin no more.”

I bowed instinctively, blissfully unaware of the effect upon my person. I had slipped, somehow, under the control of an expert craftsmen using heat to bend a vessel into shape, there to refill it, to circumvent its interlocutor and override it. Until you became an extension of the leader’s power over others. But, he had a real effect on me. I decided I would call her, and that I would sin no more.

Zachariah made to speak but was interrupted by a young man who hurried in and startled when he noticed me sitting there, legs crossed.  

“Maître, un fille s’est échappé. Nous avons des chiens sur le sentier et Simeon chasse. Elle n’aurait pas pu aller trop loin.”, he said.

Zachariah stroked his beard, nodding. “Ne la blesse pas, mais mets-la dans la boîte quand on la trouve.”

“Oui,” the fresh faced acolyte nodded. French! I could near make out the words. And what I could understand frightened me.

He turned to me, “Oh, dear. I’m sorry,” he said. “Isaac, son,” Zachariah said in that gruff, solemn voice, “would you help our friend here find his way out? He needs to run back through the mess, see if he can locate his friend. You wouldn’t know anyone who came in recently under the dead name, ‘Steve’, would you?”

“I can look at the list of dead names,” Isaac replied.

He was a handsome man with blue eyes and a neatly trimmed beard, neat and somber in his demeanor. I stood up, reached across the desk and shook the prophet’s hand. It was leathery, calloused, old. “It was nice to meet you, holiness. I’ll congratulate Lauren on my way out.”

Isaac cast a nervous glance at Zachariah. “I’m afraid that’s not possible,” he said.

“I’m afraid it’s going to have to be made possible,” I repeated.

Zachariah rose, hands up. “Wait a minute now, son. What happened, Isaac?”

The young man stood up straight. “She wasn’t at roll call, when Leonard did the count after the lunch. Ethel said the last time she saw her she was headed to the women’s toilet on the second floor.”

Zachariah looked at me. “I think that’s all for today, detective. Now, if you want to come back for Sunday service, I’ll make sure that we find your boy in the photograph, and make sure he gets word out to his concerned mother.”

Figuring I’d do no better by pressing the matter, and confident in the bugs, I relented. Isaac showed me out, silent as the grave, as we retraced my steps from the new school building, across the walkway, back into the cafeteria. It was empty, then, but the women from the lunch counter were still there, hairnets on, sweeping and washing tables, taking out the trash. From there we passed through Zachariah’s room, now cold, as the fire must have died. We walked on, down the cement walkway, up the stairs, and into the nursery. The room was empty, the women and children gone, the playpen empty; all the dinosaur toys put in the large toy chest in the corner. An eerie feeling came over me, for Lauren’s sake, and finding myself back in Samael’s office, I stopped to thank him and wish him a good-day.

Samael did not look up. Instead he kept on mumbling to himself, his face bright red, eyes bloodshot. Something had driven the poor guy to distraction, so I slipped out of the door and walked to the far end of the fence to have another look at the raised mounds I had seen when first entering the compound. I stopped just short of where they had been and saw, now, where they were was now newly grown, bright, the most ardent green of fresh grass glittering with dew as night fell.


Author Interview with Brandon Nobles


This is a blog interview I did with Heather Cassaday in June of 2017:
Good afternoon all! Today we meet author Brandon K. Nobles. He is an author, poet, and student of nearly every section of academia out there. He is multilingual and culturally diverse. Also, someone I now consider a friend. Read here and click his links to check him out.
1. Let’s talk about your published work first. In Nobody: An American Tragedy, where did your inspiration for the main character, Neddy, come from and what made you want to tell this tale?
Brandon –  Considering Nobody, one of my favorite ways to explore a character is to look at the characters who would otherwise be in the background, watching as tumultuous events go on around them. It really is a look at a person who is always in the background, the people no one really takes a chance to get to know. Nobody was about a slave, told from the slave’s perspective, a child’s perspective essentially, and my inspiration was an old slave plantation I used to visit as a child, a manor house with gables and gardens and mazes. I remember looking at this long row of shanty houses where slaves once lived, out at barren fields where slaves once worked, where rows of corn were barren. I like telling stories that transition from fruitful, figuratively speaking, to barren, and then try to make it grow again. That’s what Neddy, the main character, attempts to do. He sees his master as an evil person, not as a human, but as an abstract evil. But after he murders his master (and his master’s wife in the panic of the moment), once he sees the blood – that’s when he realizes that he’s human. He may be a poor specimen of humanity, but in the end redeemable (perhaps), and seeing his master’s children makes him fake his death and flee. He goes from place to place, always changing names and identities, making up who is until he has no idea who he really is, and, in a sense, goes back to the barren field to try to make it come alive again. On a personal level, I was going through withdrawals from an opiate addiction, something that I’ve struggled with throughout my adult life, and Neddy Atman is a sort of transliteration of the Sanskrit ‘neti atma’ – ‘this is not me’ or ‘not self’ and to kill of this slave (the Latin word for which is addictus – meaning ‘bond slave’ or ‘debt slave’, something which I imagined opiate addiction had done to me). It was more than catharsis; it was exorcism. It was a way for me to put that part of myself to rest, and I guess Nobody is the epitaph for the debt slave I had become. I wanted to tell a story that is personal and universal, macrocosm and microcosm, in a sense everyone could connect to while, in the specifics, being uniquely expressive. I was inspired by an empty field, which is to say I was inspired by the absence of something, which ultimately affects us as much as anything material or physical. Loss is something that people carry around. It never goes away. So, Nobody is about the people who suffer, who are lost to history, to people who often invisible in a crowd. These people deserve the same attention and can reveal as much about humanity as the study of high lords and ladies and I think those stories should be told.
2. For the other novels, Songs of Lalande, The Dream of the Louse, and The Make Believe Ballroom, all three deeply explore the real world psychological tendencies of humans as they face some pretty fantastic situations. How much research goes into works like these and do you have any tips for us newbies for effective researching?
Brandon – When it comes to research and development, if I’m writing about a washed up musician attempting to make his life matter again (as in the Make Believe Ballroom), I try to find someone who has been in that position. With that story I was lucky, in a sense, because the main character isn’t fictional entirely, but rather a man who once lived near me who had been a country music singer and phenomenal musician but as he got older, he got arthritis, and gradually he lost the ability to play the instruments he lived. It’s sort of like the intense need of an insect to feel out the world with its antennae, only to realize the receptors have been damaged. I studied the physical and emotional symptoms of arthritis; the medication often taken by those suffering from the disability; the possible side effects, possible contraindications with other medications and food; the diaries of forgotten stars still aping their hits from 20 years ago, still holding onto the idea that it’s all permanent; I studied mania and depression, as the man I was to write about was easily excitable and as easily depressed; I looked into possible alternative treatments in case the character decided to change medication to make his life better. To me, it’s an existential nightmare. To be a musician without hands, a pianist without fingers, a writer without a pen or pad, like the poor insect with defective antennae, stumbling dumb and unaware through the world, bumping into one thing after the other, leaving little impression and exciting little more than a bit of pity or sympathy which soon passes, and the world moves on – and sometimes the world moves on without taking others with it. He was a man the world had left behind, and without his music, he attempted to write a story, to get his ‘glory’ back, and he creates characters that react to him, to his love and kindness, to the power he exercises over them, until at last they escape from the fictional world and begin to take over his own, a sort of metaphor for how absorbed one can be with one’s work, and they all wanted the same thing, all screaming the same thing, eventually: demanding a happy ending, demanding him to write it, to make it perfect for them so they can be remembered. If art is nothing else, it is a testament to the imagination and human faculty for creation, and it is made in our own image. At the same time, I had recently lost a job and was forced to writing for lazy college students, and had begun to learn to play the guitar. He was my teacher. This is real life, so to speak, and this was a very friendly and honest man. Again, we make art in our own image. And it certainly reflects how real a story can become to a writer, and how overwhelming it sometimes feels when so many demands are being made on a person. The fantastical is a way for me to explore the mundane, human curiosities whether in joy or sorrow. It is a way people explore their minds, so to speak, and a lot of my work has this element to it. You don’t have to know all about a character to empathize, to imagine how you would feel in such a situation, but authenticity often comes from the smallest of details and whether consciously or subconsciously a reader picks them up, and when writers read their favorite authors, it’s always a good experience to see that they have made an effort to build their characters, to give them agency, depth, and humanity. The rest is just trimming.
3. For Counterpane: And Other Poems, it is described as being highly personal and musicians will often say that music is their therapy, is poetry your therapy and how has it helped you to express yourself in this medium?
Brandon – Of everything I write, I get the most personal joy out of my poems, but I’ve resisted the temptation to try to be a full fledged poet. Since it’s a more personal aspect of what I do, my poetry remains all over the place in my room, just book after book of it.
I like to play with the words, use different languages, play with it. But it’s less serious than the work I do that I sell to have nice things for myself. Being honest, it’s rewarding but for the psychological effort it is a job. Poetry is something that has always been more natural for me, but I think they’re mostly bad, so I keep them to myself. My poem collection was put together by a nice man (I won’t shame him) and published for me and it was only popular to people who just knew me. That’s not a large demographic, and they’re very personal and very tragic of course and I think some time will come where I go through those notebooks, maybe, and try to cull some good ones from what I do for, usually, a respite from writing.
Some of the poems that were most popular were a series of elegies I did where several people died over a short period of time, and I had to write the elegies of people I grew up with, people I loved, because that was my job.
So in private I did these really long form poems, to honor them as I would think they would want me to.
(His elegies are beautiful and moving. Please read them.)
4. Tell us about your work with Amygdala Magazine.
Brandon -Working with Amygdala started after a short story of mine came in 2nd place in a contest for general submissions. I developed a friendly relationship with the founder of the magazine, a really nice guy, and I approached him with two short stories I had finished and didn’t have a publisher for yet and he was good enough to get the properties so I could afford to write the stories, though one was finished when I approached him. It’s nice to make friends, friends who can show you how to do this and that to get your work out there.
5. Talk to me about the evolution of your blog. You write about pretty much every academic subject in the world but have also released some personal projects like short stories and so on, what has gotten the biggest response and what do your followers expect from you?
Brandon – My first agent wanted me to keep an archive of my work and publish new material on my website as much as possible, and I follow my interests in academic studies and fiction, mostly. One is a discipline of the intelligence, I think, and the other a more expressive medium – not to say non-fiction can’t be harrowing (George Orwell – An Homage to Catalonia, an account of the Spanish Civil War). Having a bibliography that someone can quickly find gives a potential agency an idea of how much work you actually put out and how much you put into what you put out. The academic work on the site is just a collection of mostly outdated papers in this or that, but a small representative of the the extent of my versatility in the various disciplines which rely on the professionalism of writing. The more you can do, the more opportunities you have to make a living as a writer.
I try to avoid being lecturous. I taught English/Russian/French lit for a long time, and I don’t want to pontificate but I want to be thorough. And what do I think my readers expect? Usually, I don’t want them to know what to expect, something that puts people under microscopes. I am interested in what makes people who they are, and there’s a way to get truth out through fiction, to tell an emotional truth with fiction that is.
6. Who inspires you? What do you read?
Brandon – For thousands of books over ten years you pick up a fluency in a lot of different things, and I think of myself in the sense of a 19th century academic who had busts of Roman Emperors and studied Latin and Greek, but I was born in an age where the largest information database in history exists, and I consume it. It may not seem important at the time, but some of my books are my best teachers. Dostoevsky, Proust, Stendhal, Bulgakov, Turgenev, or character novels. I’m interested in human beings more than the spectacle around them. Crime and Punishment is well known, but Demons, The Brothers Karamazov, The Idiot, The Dream of a Ridiculous Man, all are perfect (despite what Vladimir Nabokov had to say in his lectures at Cornell on Russian literature, commenting that Dostoevsky wasn’t worth the inclusion because he found no single line worthy of inclusion. But the writer Jorge Louis Borge (author of the Labyrinth stories: The Aleph, the Library of Babel). I prefer psychological or surrealist naturalism, but my teachers are on my shelves, and the first step to being a good writer, I think, is to read as much good writing as possible. Reading is a great teacher, as long as you have a system.
7. What are you working on now and what is next for you?
Brandon – I’m working on a novel, Holy Fire, about a cult that moves into a small town and starts infiltrating local institutions. Hard to explain! Alongside this, my friend Max and I plan on starting a podcast, Cult Review, which will look at cults both modern and historical. Academically, I’ve been working on a research paper for several years now that hypothesizes a proto-language from which all human languages descend. I have 3 essays set to appear in An Anthology of American Conspiracy Theories in May. The research project on a sort of master language from ancient Egyptian to Sanskrit, like an historical divergence of languages treated as peoples in the way evolution looks at species. Learning ancient Egyptian was a great experience. To be able to read hieroglyphs and such. I believe that there was some point in our history in which sub-vocal patterns where shared by all human species but based on tone and inflection instead of grammar and syntax. I’m talking about languages before the first large migration of human beings out of Africa. Now there is evidence of rituals and the burying of the dead going back hundreds of thousands years. I am trying to reconstruct from all world languages, at least the ones I have working knowledge of, a sort-of primordial language that people would be able to understand all over the world without learning words or grammar or even phonemes. It’s based on the way crows communicate. Crows pass down specific information from one generation to the next through tonal, vocal oscillations. I think subconsciously there is a universal language for humans.
 – I’d like to thank Brandon for stopping by my blog today! This has been a great experience. If you’re on Twitter follow him here. If you’re on Facebook follow him here. And don’t forget to check out all the other author interviews on my blog!
*The original post appeared on In The Coming Time but that site is in the process of moving to heathercassaday.com and will be available at its new home soon.

Magic – an ode


No sacrifice, that awful price,
has need to be be invoked tonight
for there was always Winter
We lay together in the wind
As for the curse, it just reversed
The magic worked on me;
and then,
I have bound and always falling
never to hit the ground.
You jewel, you’re a star,
I’m trapped in orbit round.

In this orbit, I have seen,
Things more fantastical than dreams;
Seabirds calling, and the see,
the waves come over you and me
Beneath a seagull flying free
I’d sell it all to lock up Now,
this moment to relive somehow;
there’s room within your eyes to drown,
You diamond jewel, I’m just a fool,
who’s trapped in orbit round.

I said the magic words and yet
Before their utterance I leapt
afraid of failure, yes, I kept,
The secret in my heart, I’ve wept;
no more;
I see you in the white dress by the door.
Brick by brick we built this town
no force on Earth could tear it down
No need for money, honey, now
You turned my upside world back upside down
and for the first time I’ve come round
to see the beauty that there is
The galaxies above and bliss
Of a mockingbird in song
Of shattered light throughout the dawn
Of a sunset long and drawn
In red across horizons long

As for this ancient spell that binds,
I am in orbit and that’s fine
You need sing no song,
nor make a sound for me
I am forever bound;
You jewel, you’re a star
That I’m trapped in orbit round.